Adults won’t be surprised at the only object she stamps with approval, and kids will want re-reads.

READ REVIEW

TOO PRINCESSY!

The superpink cover’s a bit of a pink (red) herring for those seeking a princess or anti-princess theme, but this sibling of Too Purpley! (2010) and Too Pickley! (2010) has a field day showcasing one hilariously realistic way that kids reject toys.

“I am bored!” announces a pigtailed girl, lying upside down on the floor with an emoticon frown. From there until the penultimate page, the text is made exclusively of rhyming explanations for why this toy and that toy aren’t worth her playtime. They’re “Too jolly, too jumpy, / too diggy, too dumpy!” (jolly and jumpy are a jack-in-the-box and a wind-up bird on a trampoline, diggy and dumpy are a steam shovel and a dump truck) or “Too goopy, / too gluey, // too Marsy, / too mooey!” (goopy is modeling clay, gluey is collage crafts, Marsy is a telescope and mooey is—natch—a riding cow). What’s wrong with a puzzle? “Too piecey.” A wagon? “[T]oo zoomy.” Bright colors and high visual energy match the quick verse. Listeners will enjoy the scansion; observers will be tickled that as hard as this girl clings to her indefatigable determination to be bored, she’s actually having a quite a romp. Leloup slyly shows her relishing most of the toys—albeit briefly—before tossing them aside.

Adults won’t be surprised at the only object she stamps with approval, and kids will want re-reads. (Picture book. 2-5)

Pub Date: Jan. 1, 2012

ISBN: 978-1-59990-722-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 3, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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More gift book than storybook, this is a meaningful addition to nursery bookshelves

MAYBE

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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Though this celebration of community is joyful, there just is not much here.

ONE LOVE

A sugary poem, very loosely based on the familiar song, lacks focus.

Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”

Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)

Pub Date: Oct. 5, 2011

ISBN: 978-1-4521-0224-5

Page Count: 32

Publisher: Chronicle

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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