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THE POET'S HOUSE

More thoughtful, elegantly written fiction in the classic realist tradition by the gifted Thompson.

A young woman with a reading disability finds an unexpected way into the written word when she crosses paths with a famous poet.

A recent community college dropout, narrator Carla “doesn’t process words on a page very well” and claims to be perfectly happy working for a landscape gardener in Northern California even though her well-meaning, bossy mother and her live-in boyfriend, Aaron, both think she could do better if she would only apply herself. Aaron, an IT guy who likes to camp and go hear music in local bars, is also skeptical when Carla becomes involved in the life of Viridian, a renowned poet she meets while taking care of the elderly woman’s garden. “Why do you want to hang out with these people anyway?” he asks after they attend a party at Viridian’s house with various chattering members of the literati (each one a sharp character study). “I’m not sure we’ve got a lot in common.” But Carla had her world expanded when, on a whim, she attended a poetry reading featuring Viridian. “For the first time [I] really heard a poem,” she says. And later: “It all ended up inside me.” In her usual accomplished and sensitive fashion, Thompson invites us into the consciousness of a young woman tentatively entering a whole new world that may give her a clue to who she is meant to be, while at the same time fearing that the enticing, glamorous creatures who live there simply view her as a useful helpmeet. The plot is propelled by various people trying to persuade Viridian to make public the last poems of her lover Mathias, a poet even more famous than she by virtue of killing himself at 35, but the real story is Carla’s gradual realization of what she wants and what she can be. The brilliantly rendered mise-en-scène of quarrelsome, ego-ridden, yet touchingly fragile poets and the literary entrepreneurs who circle around them makes a vivid backdrop for this classic coming-of-age tale.

More thoughtful, elegantly written fiction in the classic realist tradition by the gifted Thompson.

Pub Date: July 12, 2022

ISBN: 978-1-64375-156-6

Page Count: 320

Publisher: Algonquin

Review Posted Online: April 11, 2022

Kirkus Reviews Issue: May 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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