by Jeanne Darst ‧ RELEASE DATE: Oct. 3, 2011
A woman's post-adolescent coming-of-age amid her less-than-conventional family.
In her debut memoir, Darst chronicles the subject she knows best—playing the part of the youngest daughter to her failed writer father and alcoholic mother. Add to the mix a group of three equally peculiar sisters—"a book-hater, a compulsive reader, a paperwork fanatic"—and the readers are left with a startlingly frank account of a family seemingly on leave from the loony bin. As a child, Darst naively placed her faith in her father's writing, assuring herself that "things aren't going that great now, but it's all about to change, drastically, because Dad's gonna sell this novel…” He never did, and as the family's financial hardships worsened, so did her mother's alcoholic tendencies, both of which provided an unstable home life that eventually crumbled down around them. While Darst's humorous tone guards readers from the memoir's darker moments, occasionally readers may yearn for a slightly more serious take. The author’s troubles with crabs (of the STD variety), a failed lesbian interaction and an incident involving a bowel movement and a plastic bag all serve as further proof of intimate encounters exploited for humor rather than examined on any deeper level (though admittedly, there is little insight to be gleaned from the plastic-bag incident). Despite its surface-level story, Darst's work offers readers plenty of laughs, though it could benefit from a few more tears. A comic tale of a drifting writer's stumblings beyond her family's eccentricities onto her own path toward happiness.
Pub Date: Oct. 3, 2011
ISBN: 978-1-59448-814-6
Page Count: 336
Publisher: Riverhead
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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