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ALL HAPPY FAMILIES

A MEMOIR

A poignantly intimate memoir.

A distinguished editor and writer’s tale of the people and events surrounding her first wedding.

When McCulloch, a former managing editor of the Paris Review and editorial director of Tin House Books, married for the first time, the ceremony took place at her parents’ beachfront home in the East Hamptons. The house, writes the author, “had a shabby grandeur to it that time forgot.” This run-down elegance also characterized the Hamptons, which in 1983 was “known mainly for artists and potato fields and the fishermen who made their living trawling off Montauk Point.” A few days before the wedding, McCulloch’s father suffered a massive stroke, transforming a celebration into a crisis that revealed the cracked foundations undergirding the family. Not long before the ceremony, her affected and controlling mother, Patricia, had forced her lifelong alcoholic father, John, to stop drinking. Cessation sent John's body into withdrawal shock and caused his stroke. Yet despite the many problems they had with each other, both lived their lives as though their marriage and family were as happy as they were perfect. The author's own choice of husband disappointed Patricia, who had expected McCulloch to marry a “Social Register” man rather than Dean, “the boy next door.” Shortly after the wedding and before McCulloch and her husband could even open wedding presents, John died. At first, Dean’s wholesomely all-American family seemed to offer a haven to the author. But three years after the wedding, Dean’s father told the family at a Christmastime gathering that he had fallen in love with another woman and eventually left to go live with her. Meanwhile, the author and her husband grew increasingly apart. By the fifth year of their marriage, “all we had in common was the desire not to hurt one another’s feelings.” McCulloch provides an honest and sensitive portrayal of family dysfunction as well as an evocation of a dying world of old-money wealth and privilege.

A poignantly intimate memoir.

Pub Date: Aug. 14, 2018

ISBN: 978-0-06-223475-9

Page Count: 240

Publisher: Harper Wave

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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