Like the mysterious album of the title, a messy, mesmerizing, and deeply personal work of art.
While stranded at a dead-end job in the New Mexico desert, a trans woman practices witchcraft and writes letters to an enigmatic musical legend.
This wildly imaginative novel by a two-time Lambda Literary Award finalist is framed as a series of lengthy missives penned by Gala, who works a maintenance job at a hostel in Truth or Consequences, to B——, the former frontman of the Get Happies, a 1960s California pop band. “With this letter, a sorcery has come upon you,” Gala informs her correspondent. “You will listen to what I have to say to you. You have no choice.” Gala proceeds to recount to B—— an impossibly omniscient narrating of B——’s own life and career, from B——'s start as a sensitive, melancholy child with an abusive father to the formation of the band with B——'s brothers and cousin and the existential crisis that derails the recording of Summer Fun, their legendary unreleased album and possible masterpiece. In alternating letters, Gala describes her own daily life, including an ambivalent friendship with trans woman Ronda and a relationship with Caroline, a cis lesbian videographer who turns up in T or C—or has Gala “summoned” her? The apparent inspirations for B—— and the Get Happies are Brian Wilson and the Beach Boys, although an author’s note clarifies that “the act of projecting one’s own context onto a myth does not make any truth-claims about the world or the characters in the myth.” Gala’s letters themselves could represent a fan’s projection of meaning onto the unreachable pop star, a vital act of creation in its own right and one that resonates intriguingly with the assertion of trans identity. Thornton’s writing is as rich as her ideas and spiked with wit, though the story frequently drags and is overstuffed with curiosities, such as the hovercraft that characters inexplicably drive.
Like the mysterious album of the title, a messy, mesmerizing, and deeply personal work of art.Pub Date: July 27, 2021
ISBN: 978-1-641-29238-2
Page Count: 432
Publisher: Soho
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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