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THE T-REX WHO LOST HIS SPECS!

Name: THE T-REX WHO LOST HIS SPECS!
Author: Jeanne Willis
ISBN: 978-1-78344-549-3

by Jeanne Willis ; illustrated by Tony Ross ‧ RELEASE DATE: April 1, 2018

A comic episode with a bit of a bite (implied, not explicit) at the end.

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A nearsighted T. Rex stumbles into a chain of calamities after losing his eyeglasses.

Mr. Magoo has nothing on this poor dino: “He went to give himself a wash, / but could not find the basin… // …and so the toilet was the place / that T-Rex washed his face in.” He also dons his sister’s undies and mistakes Grandpa’s slippers for his breakfast kippers. Diverse misadventures later he manages to lose the spectacles for good in his lunch—either eating them (according to the text) or obliviously chucking them away with the bones (in the picture). Ross reinforces the haplessness of his ungainly unfortunate by dressing him in saggy blue trousers, and he has the dino react to each blunder with squinty imperturbability…until, that is, the T. Rex runs to hug what he thinks is his own mom and turns out to be clutching the leg of a much bigger, toothier, more predatory parent. Whoopsie. Well, readers familiar with Willis and Ross’ more naturalistic little fables, such as Tadpole’s Promise (2005), won’t be surprised.

A comic episode with a bit of a bite (implied, not explicit) at the end. (Picture book. 6-8)

Pub Date: April 1, 2018

ISBN: 978-1-78344-549-3

Page Count: 32

Publisher: Andersen Press USA

Review Posted Online: Jan. 12, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
WHAT ARE LITTLE GIRLS MADE OF?
by Jeanne Willis ; illustrated by Isabelle Follath

- BOOK REVIEW
OLD MACDONALD HAD A PHONE
by Jeanne Willis ; illustrated by Tony Ross

- BOOK REVIEW
DON'T GO THERE!
by Jeanne Willis ; illustrated by Hrefna Bragadottir

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THE GIRL WHO LOVED WILD HORSES

by Paul Goble ‧ RELEASE DATE: Aug. 1, 1978

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There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses. The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance. But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him. Goble tells the story soberly, allowing it to settle, to find its own level. The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight. 6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
RED CLOUD'S WAR
by Paul Goble ; illustrated by Paul Goble ; introduction by Robert Lewis

- BOOK REVIEW
ALL OUR RELATIVES
by Paul Goble & illustrated by Paul Goble

- BOOK REVIEW
SONG OF CREATION
by Paul Goble & illustrated by Paul Goble

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THOSE BUILDING MEN

by Angela Johnson & illustrated by Barry Moser ‧ RELEASE DATE: Feb. 1, 2001

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Vague text and anemic pictures make this at best a half-hearted tribute to the construction workers of the last century or so. In her brief, poetic text Johnson writes of “those shadowy building men . . . moving the earth to connect water,” of “railroad workers . . . who were there to connect all.” She continues: “As buildings tower above us / they tell the tales / of the cities . . . They whisper down past it all and say, / ‘They built us, your fathers . . .’ ” There is little here to engage child readers, either intellectually or emotionally, and Moser’s remote, indistinct portraits of ordinary-looking men (only men) dressed in sturdy working clothes and, mostly, at rest, only intermittently capture any sense of individual or collective effort. In evident recognition of these inadequacies, a prose afterword has been added to explain what the book is about—a superfluous feature had Moser and Johnson produced work up to their usual standards. Let readers spend time more profitably with the likes of John Henry or Mike Mulligan. (Picture book. 6-8)