"From the primordial ooze to the red fruit, the illustrations serve to reinforce the Adam and Eve metaphor, and the whole thing may leave readers rooting for the serpentlike Snawk. (Picture book. 4-7)"
The prolific Willis' offbeat fable of cooperation and sharing features a solitary green, bipedal, two-armed, sluglike being called a Slodge.
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"Festive fare that ultimately misses the mark. (Picture book. 4-8)"
On the cover of this picture book, an impossibly cute, sad-looking boa lolls from a tree branch, birthday hat on his head. What could possibly be the matter?
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A mysterious pink spot on Hippo's bum provides the MacGuffin for a lottamus of silly wordplay capped by a deliciously gross denouement.
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"A few clogs in the digital plumbing away from a wrap. (iPad storybook app. 4-8)"
Sound effects and animated wriggles squeeze out laffs from this unabashed exercise in toilet humor, but the software coding and design is a major update short of release-ready.
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"Another slyly disquieting outing from the creators of Who's in the Bathroom? (2007). (Picture book. 6-8)"
Willis and Reynolds deliver a sharp tweak to the credulous, as just the rumor of a monster sighting prompts a mass migration of rubberneckers.
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"Narrated in the personable voice of one of the sisters all grown up, this happy-ending story asks readers to consider not only the importance of leaving wild things wild but the possibility of magic. (Bog Baby field note form) (Picture book. 4-7)"
Anyone who has ever tried to re-create a tide pool in a jar or displaced a wild thing only to watch it wither will understand the heartbreak of two sisters and their beloved Bog Baby in this whimsical British import.
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"Young children daunted by how dangerous to mice and other small creatures Colin's world turns out to be may be happier with the sibling support in Martin Waddell's Tiny's Big Adventure (2004), illustrated by John Lawrence. (Picture book. 5-7)"
In a tale pointedly addressed to overprotective adults, a mother mouse finally lets her littlest one go.
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"For bladder or worse, rare is the child who won't 'go' for this, despite its unexpectedly low-pressure dénouement. (Picture book. 5-8)"
Echoing the plaint of many a desperate bathroom-seeker, Willis offers an extended series of rhymed speculations about what's holding up the line for the loo.
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"Illustrations are ideal for group readings. (Picture book. 3-6)"
This colorful work, rendered in pastels, is another collaboration between the team that made readers laugh at Tadpole's Promise (2005).
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"The setup being perfect enough to leave even adult readers unsettled, this makes a promising addition to the 'share if you dare' list, next to, say, Chris Raschka's Arlene Sardine (1998). (Picture book. 6-8)"
In this deceptively innocuous love story, a caterpillar and a polliwog pledge their love, promising each other that they will never change.
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"Willis will have readers or listeners rolling in the aisles—and what a refreshing twist on all of those blandly reassuring 'First Day of School' stories. (Picture book. 5-7)"
Never have the horrors of school been more forcefully, or adroitly, expressed.
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"With strong secondary characters and an original final twist, this British story, which was shortlisted for the Whitbread prize, moves slowly at times but ultimately rewards the reader in full measure. (Fiction. YA)"
Will Avery, who's slow, deliberate, and unusually kind to both people and animals, narrates his love story in an unsophisticated voice.
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"Varley's pen-and-wash art has teddy's essential qualities: homey, disheveled, and warm. (Picture book. 3-6)"
The fairies are responsible, so this story of a boy who thought he was a teddy bear qualifies as a fairy tale—and a very charming one indeed.
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"The narrative voice is a challenge and the subject matter is grim, but patient, older readers will find a good story and some measure of truth. (Fiction. YA)"
"A fine choice for a frog-themed story time or for integrating a satisfying read-aloud into science class. (Picture book. 4-8)"
Most schoolchildren in the primary grades study lifecycles in science class, often focusing on frogs to observe their dramatic metamorphosis.
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"The beautiful art tantalizes the imagination, yielding intriguing new images with each rereading. (Picture book. 4-10)"
A little boy and his older sister explore a dark forest ``looking for a creature of enormous size, with a backbone as strong as a beech tree...and thighs as round as oaks.'' While the text mentions such pleasurably shivery possibilities as the scent of a moist bank being ``the giant's mossy breath'' or wind-blown brambles his snare, the illustrator's marvelous watercolors offer more evidence of an elusive giant, and perhaps other weird creatures, in the forest's shadowed recesses, the twisted, muscular shapes of trees, and some startling juxtapositions of fungi and knotholes.
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"Not as amusing as its predecessors, but still good fun. (Picture book. 4-9)"
Moving right along, the fuzzy, green three-eyed alien who explained human babies so hilariously in Earthlets (1989), as well as our cats and dogs in later efforts, takes up the subject of terrestrial transportation before his class dons their disguises for a field trip to sample the marvels he has described.
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Though the first (Earthlets, 1989) in this series of comical lectures by an extraterrestrial pedant concerning what he describes as some of Earth's more bizarre species is still the funniest, these misconstructions of feline motives and behavior (``Earth Tigerlets...leave squishy puddings on the stairs so the Earthling has something soft to step on when he has forgotten his socks'') are also pretty funny, especially as rendered in Ross's vigorous, wickedly satirical pictures.
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