The richness of this book’s words and images will inspire readers to learn more about this holiday that never should have...
Johnson tells a tale of Juneteenth in Texas through the eyes of a child, while Lewis’ earth-toned watercolor illustrations capture the quotidian aspects of the way of life emancipation ended.
The young female speaker who lives and works on the plantation with her mother, siblings and others takes personally the titular phrase, “all different now,” when freedom comes. Just before the Union general announces on the balcony of the big house that the slaves are “now and forever free,” rumors of this news has spread so quickly from the port to the countryside that Lewis includes an image with four vertical panels showing slaves engaged in many different types of work, passing the word and responding with surprise, shock and praise to the news. The historical details that Lewis integrates into the images situate Johnson’s story historically and give young readers a sense of what cotton plantations in the mid-1860s looked like. In the backmatter, Johnson makes clear why this bit of history matters to her, and Lewis shares the impossibility of contemporary Americans’ reaching a true understanding of the lives of 19th-century slaves—but how important it is to try.
The richness of this book’s words and images will inspire readers to learn more about this holiday that never should have been necessary…but was. (Web resources, glossary) (Picture book. 5-9)Pub Date: May 6, 2014
ISBN: 978-0-689-87376-8
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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PROFILES
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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Empty calories
Hippo dreams of “a good, old-fashioned Thanksgiving.”
It’s not all smooth sailing. Hippo is raking and dreaming of Thanksgiving goodies when Duck plunges into Hippo’s leaf pile and musses it up. When a falling apple bonks Hippo on the head and he then gives it to Duck, Duck thanks him, triggering an invitation to celebrate the day together. The two friends go off to shop and find themselves in mishap after mild mishap, meeting friends and inviting them one by one to Thanksgiving dinner tomorrow. Duck engages in mild tomfoolery, but Hippo maintains his genial calm. That evening, Duck goes back to their friends and suggests that they plan a surprise for Hippo. The next day, Hippo prepares a delicious assortment of traditional (all vegetarian) dishes and then waits for his friends—who show up late with their surprise: more food (eggrolls, sushi, pizza, and peanut-butter–and-jelly tacos), which temporarily puts Hippo out because it “is NOT a good, old-fashioned Thanksgiving feast!” Hippo rapidly gets over himself, and the friends all have a good time. While the message of enjoying fellowship and valuing each individual’s contributions is a worthy one, this meandering tale offers little to chew on in terms of character development or plot. Joyner’s anthropomorphic cartoon animals are cheery, but his illustrations do nothing to give London’s story any depth.
Empty calories . (Picture book. 5-8)Pub Date: Aug. 21, 2018
ISBN: 978-1-5039-0080-6
Page Count: 32
Publisher: Two Lions
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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