Thoroughly researched, creatively presented, inspiring real-life role models for girls who love math.
This collective verse biography “honors women who used math to frame and solve problems, fix things, or understand the size of the universe.”
Atkins opens with German Caroline Herschel (1750-1848), the first woman to discover a comet, and closes with American Vera Rubin (1928-2016), an astronomer who proved the existence of dark matter. Throughout, she illustrates how each woman faced personal obstacles as well as gender bias but never allowed “insults or lack of faith to stop” her. Florence Nightingale (1820-1910) revolutionized the nursing profession through use of medical statistics, and Hertha Marks Ayrton (1854-1923) became the first female electrical engineer, registering 26 patents; both women were English. American geologist Marie Tharp (1920-2006) helped develop the first map of the entire ocean floor while her countrywoman mathematician Katherine Johnson (1918-2020) endured segregation as she calculated trajectories for NASA. At the U.S. Census Bureau, statistician Edna Lee Paisano (1948-2014) used math to “give everyone a fair chance.” With the exception of African American Johnson and Nez Perce Paisano, the women profiled are white. Presented chronologically in engaging verse with a feminist tone, the text artfully weaves scientific data and history with imagined “dialogue and sensory detail based on what’s known about the time, places, and questions” of these remarkable math mavens. A line drawing introduces each woman’s biography, and the “Women Who Widened Horizons” section summarizes their achievements.
Thoroughly researched, creatively presented, inspiring real-life role models for girls who love math. (author’s note, selected bibliography) (Verse biography. 10-14)Pub Date: Aug. 4, 2020
ISBN: 978-1-5344-6068-3
Page Count: 320
Publisher: Atheneum
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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