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THE WINNER MAKER

An exhilarating and emotionally astute mystery.

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When a popular high school teacher suddenly vanishes, a pack of his most devoted former students starts looking for him in this debut novel. 

Bob Fiske is a legendary high school English teacher and football coach at Evanston Township High in Michigan who’s known for his undying dedication to his students. He regularly compiles an unofficial list of “Winners,” a roster meant both to recognize students for their talents and inspire underachievers to fulfill their unrealized promise. Then Fiske mysteriously disappears, raising suspicions of foul play. Some admiring past Winners are so distraught they organize their own search party, prepared to put their lives on hold until they track him down, their loyalty to Fiske affectingly depicted by Bond. The group doesn’t have much time. Principal Mancini and Fiske have long been bitter rivals—the teacher is infamous for his confrontational demeanor. Mancini gives the band 24 hours to find Fiske before he’s terminated from his job for dereliction of duty. The team of faithful former students is led by Stephanie “Steph” Reece, who was one of Fiske’s brightest pupils. She is haunted by guilt that she squandered his support by falling short of her extraordinary potential. She’s especially attached to Fiske since he became something of a substitute for her own father, who died of cancer when she was only 3 years old. There’s a break in the case when another past Winner—Eric Pinkersby, an astonishingly successful tech entrepreneur—discovers that Fiske has been exchanging texts regularly with Autumn Brockert, a 16-year-old student of his. And when she too goes missing, the police suspect he abducted her, though Steph simply can’t accept that her idol is a craven predator.  Bond collapses two distinct literary genres into one seamless novelistic whole: a mystery and an emotional drama. While the past Winners hunt down clues in order to find Fiske, they’re forced to confront the memories of their high school selves and the extent to which their adult lives are either a consummation or betrayal of their youthful talents. And Fiske is deliciously enigmatic—though almost heroically supportive of his students, he seems to harbor a dark past, filled with rueful remorse. The author subtly captures Fiske’s complexity as well as his penchant for profoundly stirring inspiration: “Stephanie, time is our mortal enemy. Time leeches ambition. Never forget that greatness lives inside you. No matter how far off course you stray—no matter what you’ve done or have to atone for in the past—greatness remains. Greatness is never beyond salvage.” But the plot becomes increasingly convoluted and implausible and exchanges the dramatic nuance that typified the beginning for operatic melodrama. Yet Bond is so ingeniously inventive—he consistently moves the story in wholly unpredictable directions—that it’s likely readers will forgive these real but minor fictional vices. The novel’s central mystery is thrilling, but the true spine of the tale is the fragile connections between the past Winners, who must not only investigate Fiske’s disappearance, but also the authenticity of their lives and friendships. 

An exhilarating and emotionally astute mystery. 

Pub Date: Dec. 1, 2018

ISBN: 978-1-73225-520-3

Page Count: 330

Publisher: Time Tunnel Media

Review Posted Online: Aug. 14, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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