by Jeff Crosby ; illustrated by Jeff Crosby ‧ RELEASE DATE: March 1, 2014
A snazzy, music-themed twist on a classic story that both children and adults will enjoy.
From the first glimpse of the slicked-up pompadours and hot rods of the Rockabilly Goats, readers will know that they are in for a good time with this rock-’n’-roll interpretation of a classic tale.
The three goat rockers—Billy Lee, Billy Joe and Billy Bob—are all on their way to a gig at Nanny May’s Shimmy Shack when a grumpy old troll fishing for his dinner gets in their way. One at a time, the goats play their guitar, bass and drums, respectively, filling the pages with onomatopoeia (“DOONG, DOONGA, DOONG, DOWNG, DOWNG!”). To conquer the troll, they scoop him up into one of their trucks, take him to the Shimmy Shack, fill his hungry belly with barbecue and then win him over with their groovin’ tunes. This picture book lives up to the excellent wordplay in the title with a whimsical storyline that keeps a solid beat. The amusing and expressive language makes this book an excellent choice for reading aloud, and the bright colors, exaggerated expressions and spot-on fashion details in the illustrations perfectly complement the text. The energy of the book will appeal to a broad audience—especially to music lovers.
A snazzy, music-themed twist on a classic story that both children and adults will enjoy. (Picture book. 3-6)Pub Date: March 1, 2014
ISBN: 978-0-8234-2666-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
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27
Our Verdict
GET IT
New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: July 2, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
Awards & Accolades
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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