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Sundog

A detailed but exhausting epic that examines the Luftwaffe’s doomed mission in Russia.

An ambitious historical novel set on the eastern front during World War II follows a band of German pilots.

Nazi Germany’s 1941 invasion of the Soviet Union included a large air contingent. While the Germans initially dominated the Russians, the Soviet Air Force came to mount a fierce resistance over the next two years. Janoda (Saga: A Novel of Medieval Iceland, 2005) makes the unusual choice to depict this historical moment from the perspective of the German military, particularly that of a group of Luftwaffe pilots stationed on the remote, freezing, and brutal Russian front. While the cast of characters features devoted Nazi officers intent on earning medals and honors, it also includes more complex figures, such as a highly skilled but mentally unstable German pilot, a reluctantly accepted Ukrainian volunteer worker, and Lt. Daniel Fraser, a pilot raised in America. Fraser emerges as the closest thing the novel has to a protagonist. While a student in the United States, Fraser considered joining the U.S. Air Force, but after returning to Germany on the eve of the war, he eagerly joined the Luftwaffe instead. When questioned about his loyalties, he doesn’t hesitate to answer, “I am a Luftwaffe officer, sir.” At the same time, Fraser’s outsider status—and the influence of his investigative journalist father—allows him a greater perspective on Nazi politics than those of most of the men he serves with. The story mixes plenty of interpersonal conflicts with scenes of intense combat. The plot, however, could easily have fit into a book of two-thirds the length. Meticulous explorations of German military bureaucracy and equipment fill many pages. Janoda’s novel, which is more thorough than many history books, even provides a healthy set of appendices featuring historical notes, a glossary, a rank table, and two maps. Military history buffs should relish the opportunity to spend so much time in a fully realized World War II environment, but many other readers will find the novel daunting.

A detailed but exhausting epic that examines the Luftwaffe’s doomed mission in Russia.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Nov. 23, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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