A rollicking, satirical take on fine art and the Sunshine State.
The peculiarities and difficulties of an artist’s life unfold in Whipple’s droll novel.
Rudy, a painterin his mid-30s, has burned his bridges in the New York City art world and moved toa coastal Florida community, conceived as a result of a 1920s land grab by Charles Bensen, “by most accounts an ignorant lout with a nominal flair for business.” Although Bensen went bankrupt during the Depression, the art museum he started, the Bensen Museum, is the locus of the present-day community cultural scene of wealthy retirees in condos on the area’s barrier islands. Rudy discovers that “there was good money to be made painting faux finishes and cheesy seascape murals in ultra-expensive waterfront homes,” but he yearns to be known for his own paintings, “which reflected my soul and passion and were hence unsellable.” In a single weekend, he’s inundated with painting emergencies (including fixing a mural that was “trashed” by a caterer’s table) and caught up in intrigues involving the local arts community; he also discovers a secret about paintings attributed to two famous, long-dead local artists, visits his father, and solidifies his romance with on-and-off girlfriend, Linda. He doesn’t sleep, however, and the resulting sleep deprivation leads to hallucinations involving images of lascivious cherubs on the ceiling of a hidden room in the Bensen Museum. Whipple’s vivid descriptions may send readers racing for pigment-color charts. Skin colors include “burnt umber,” “raw sienna,” and “light-yellow ochre,” the accounts of Rudy’s marbleizing and painting techniques are detailed enough for a master class: “I mixed a glaze of alizarin crimson and a touch of raw umber in an empty mayonnaise jar.” Sharp, wickedly humorous characterizations, such as “She had a face-lift that made her look like an astronaut during a launch,” coupled with absurd Florida-centric situations, are reminiscent of the works of Carl Hiaasen and Tim Dorsey.
A rollicking, satirical take on fine art and the Sunshine State.Pub Date: Dec. 28, 2022
ISBN: 9798371625588
Page Count: 202
Publisher: Self
Review Posted Online: March 21, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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