Insightful perspectives on historical and contemporary bigotry, despite some awkward juxtapositions.
Markowitz’s novel follows two men separated by generations but both facing racism and violence in a rural community.
In 2023, Charlie Levenson has just purchased the old lock-tender’s house along a quaint canal not far from Princeton, New Jersey. With the help of his son Ben, Charlie starts to fix up the dilapidated property, imagining how much his late wife Zoya would have hated it. The welcome from his new neighbors is anything but warm—a gruff stranger gives Charlie a cryptic warning: “Bad things have been known to happen here. You never can tell when bad things might happen again.” In 1933, Abe Dubinski lives in the same house and works as the canal’s last lock-tender before the advent of rail transit. Abe and his family meet Helmut Fischer, a young man who has just arrived in America from Germany and expresses nothing but aggression and menace to his Jewish neighbors. In the present day, Charlie witnesses a dangerous fire and sees a protest explode into violence, bringing him once again in contact with the mysterious stranger and setting him on a scavenger hunt for clues about the man’s identity and his connections with a local right-wing militia—which may have also played a role in his wife’s death. Back in 1933, Abe struggles to keep his family together as Helmut and a group of young Nazis camp out along the canal, targeting the lock-tender’s family. Markowitz’s parallel narratives touch upon several fascinating ideas, including the reach of Nazism—even in rural America—during WWII, the lasting impacts of the January 6 insurrection on today’s world, and the similarities between two time periods each burdened with an oppressive sense of dread. The inclusion of Zoya’s ghostly figure and her own story of coming to America from Iran provides another layer of texture and perspective while also endearing the grieving Charlie to readers. While the two stories share intriguing thematic connections, they can sometimes clash—especially as Charlie’s story ventures into tropes more common of a mystery or thriller. While the alternating timelines fail to cohere into a flowing narrative, Markowitz still offers plenty of sympathetic characters and engaging questions.
Insightful perspectives on historical and contemporary bigotry, despite some awkward juxtapositions.Pub Date: Nov. 5, 2024
ISBN: 9781685128043
Page Count: 260
Publisher: Level Best - Historia
Review Posted Online: Nov. 26, 2024
Kirkus Reviews Issue: Jan. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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