A brooding family saga with emotional depth.

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UNOPENED LETTERS FROM DEAD MEN

Regan tells the story of three men attempting to move beyond the death of their family’s matriarch in this debut novel.

In the Midwestern town of Richland around 1968, high school basketball star Billy Hennessey hasn’t recovered since his mother, Janet, died in a car accident nearly a year ago. He finds it harder to relate to his friends, and he recently lost his girlfriend. He isn’t the only one reeling; the loss has made his overbearing father, Big Al, angrier and more prone to violence: “Her voice, sometimes the only reasonable one in the house, was gone.” Big Al blames his other son, Al Jr., for her death, as she was on the way to pick him up in the car. Al Jr. was sent to Vietnam not long afterward and returned with a severe injury. He’s been avoiding his father and brother ever since, suffering from PTSD and feeling unsure about his place in the world. Despite their conflicts, the men still wish to remain a family, although they’ll have to find a way to communicate with one another without Janet’s mediation. If they can understand one another’s pasts—and survive the dangers of the present—they might be able to build a real future. Regan’s detailed prose, which shifts its perspective between the three Hennessey men, strikes a deliberative tone throughout the novel: “Music blared out from an outside speaker he couldn’t remember being there before, a lively song about a brown-eyed girl that reminded him of Janet, overwhelming him until he was momentarily oblivious to everything.” The narrative moves at a slow pace, but as it does, it effectively delves into the psyches of all three of its major characters, exposing problems that go much deeper than the loss of a wife or mother—including problems of the world at large. The result is a novel that captures not only the fractures of family relationships, but also those of a small community caught at a key moment of cultural transformation.

A brooding family saga with emotional depth.

Pub Date: Oct. 31, 2018

ISBN: 978-1-945630-83-5

Page Count: 235

Publisher: Creators Publishing

Review Posted Online: Jan. 11, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Cheerfully engaging.

WHAT ALICE FORGOT

From Australian Moriarty (The Last Anniversary, 2006, etc.), domestic escapism about a woman whose temporary amnesia makes her re-examine what really matters to her.

Alice wakes from what she thinks is a dream, assuming she is a recently married 29-year-old expecting her first child. Actually she is 39, the mother of three and in the middle of an acrimonious custody battle with her soon-to-be ex-husband Nick. She’s fallen off her exercise bike, and the resulting bump on her head has not only erased her memory of the last 10 years but has also taken her psychologically back to a younger, more easygoing self at odds with the woman she gathers she has become. While Alice-at-29 is loving and playful if lacking ambition or self-confidence, Alice-at-39 is a highly efficient if too tightly wound supermom. She is also thin and rich since Nick now heads the company where she remembers him struggling in an entry-level position. Alice-at-29 cannot conceive that she and Nick would no longer be rapturously in love or that she and her adored older sister Elisabeth could be estranged, and she is shocked that her shy mother has married Nick’s bumptious father and taken up salsa dancing. She neither remembers nor recognizes her three children, each given a distinct if slightly too cute personality. Nor does she know what to make of the perfectly nice boyfriend Alice-at-39 has acquired. As memory gradually returns, Alice-at-29 initially misinterprets the scattered images and flashes of emotion, especially those concerning Gina, a woman who evidently caused the rift with Nick. Alice-at-29 assumes Gina was Nick’s mistress, only to discover that Gina was her best friend. Gina died in a freak car accident and in her honor, Alice-at-39 has organized mothers from the kids’ school to bake the largest lemon meringue pie on record. But Alice-at-29 senses that Gina may not have been a completely positive influence. Moriarty handles the two Alice consciousnesses with finesse and also delves into infertility issues through Elizabeth’s diary.

Cheerfully engaging.

Pub Date: June 2, 2011

ISBN: 978-0-399-15718-9

Page Count: 432

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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