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UNOPENED LETTERS FROM DEAD MEN

A brooding family saga with emotional depth.

Awards & Accolades

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Regan tells the story of three men attempting to move beyond the death of their family’s matriarch in this debut novel.

In the Midwestern town of Richland around 1968, high school basketball star Billy Hennessey hasn’t recovered since his mother, Janet, died in a car accident nearly a year ago. He finds it harder to relate to his friends, and he recently lost his girlfriend. He isn’t the only one reeling; the loss has made his overbearing father, Big Al, angrier and more prone to violence: “Her voice, sometimes the only reasonable one in the house, was gone.” Big Al blames his other son, Al Jr., for her death, as she was on the way to pick him up in the car. Al Jr. was sent to Vietnam not long afterward and returned with a severe injury. He’s been avoiding his father and brother ever since, suffering from PTSD and feeling unsure about his place in the world. Despite their conflicts, the men still wish to remain a family, although they’ll have to find a way to communicate with one another without Janet’s mediation. If they can understand one another’s pasts—and survive the dangers of the present—they might be able to build a real future. Regan’s detailed prose, which shifts its perspective between the three Hennessey men, strikes a deliberative tone throughout the novel: “Music blared out from an outside speaker he couldn’t remember being there before, a lively song about a brown-eyed girl that reminded him of Janet, overwhelming him until he was momentarily oblivious to everything.” The narrative moves at a slow pace, but as it does, it effectively delves into the psyches of all three of its major characters, exposing problems that go much deeper than the loss of a wife or mother—including problems of the world at large. The result is a novel that captures not only the fractures of family relationships, but also those of a small community caught at a key moment of cultural transformation.

A brooding family saga with emotional depth.

Pub Date: Oct. 31, 2018

ISBN: 978-1-945630-83-5

Page Count: 235

Publisher: Creators Publishing

Review Posted Online: Jan. 11, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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