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THE PEARL DIVER

A keenly observed but rather lifeless portrait. So little happens that it’s difficult to stay involved, let alone...

An impressionistic debut about a young Japanese pearl diver who is sent to a leper colony.

Nowadays considered primarily a disease of the tropics (where it has become increasingly rare), leprosy was a global scourge until quite recently: Talarigo’s story takes place on an island leprosarium off the coast of Japan in the years following WWII. Here, sealed off from all contact with the outside world, the confirmed cases are sent to begin their lives anew under the most terrible circumstances imaginable. The 19-year-old pearl diver who arrives in 1948 and takes the name Miss Fuji (all lepers in Japan at this time are declared legally dead and required to assume new identities in the colony) has only a mild case of leprosy, but she is disowned by her family all the same and committed to the island for life. There, she becomes a medical assistant in the clinic, a place that offers little more than massages (or abortions) by way of treatment. The tale is told in episodic vignettes that move lightly back and forth among the various patients and administrators. We meet Miss Min, a storyteller; Mr. Shirayam, a gardener; Miss Morikowa, a Christian; Mr. Nogami, a Communist; Mr. Oyama, an urn painter; and the pregnant Miss Matsu (who wants, against all regulations, to keep her baby). The dreadful background of Miss Fuji’s hopelessness is, if anything, intensified by the advent of new drugs capable of containing or reversing the disease—and by the stubborn refusal of the national health officials to authorize the discharge of arrested cases (like Miss Fuji’s) back to normal society. Her sense of isolation is made even worse by her ability, as a diver, to swim across the straits to the mainland whenever she wants to.

A keenly observed but rather lifeless portrait. So little happens that it’s difficult to stay involved, let alone interested, throughout the whole.

Pub Date: April 20, 2004

ISBN: 0-385-51051-9

Page Count: 256

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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