Deaver’s sleight of hand, so effective on the homefront, carries less weight in a world of international counterterrorism in...
Lincoln Rhyme goes geopolitical.
A mile away from a high-caliber rifle, anti-American activist Roberto Moreno falls dead in his Bahamas retreat, along with his guard and a reporter who was interviewing him. Nance Laurel, the New York assistant district attorney who’s convinced that the assassinations were the work of an undercover government agency, invites quadriplegic criminalist Lincoln Rhyme and his NYPD lover, Amelia Sachs, to investigate. As usual, the case poses special challenges. The murder scene, presumably awash in forensic evidence, is over a thousand miles from Rhyme’s wheelchair, and the Bahamian police aren’t eager to share their information. The sinister National Intelligence and Operations Service has already issued orders to liquidate its next target in only a week. NIOS hireling Jacob Swann and another unnamed killer are methodically eliminating evidence and witnesses before they can tell their stories. Even when Rhyme improbably decides to fly to the Bahamas and into a far more generic sort of adventure than his usual—getting stonewalled by uncooperative cops, getting waylaid by hired killers, getting suntanned—the rewards are slim, for he finds crime-scene tape gone from the room where Moreno and the others died; it is being cleaned and painted as he watches (a nice touch). And of course, Deaver, who can’t resist any opportunity for ingenuity (XO, 2012, etc.), keeps mixing fastballs, curveballs and change-ups. Even though there are so few suspects, and the guilty parties are so obvious, veteran readers won’t trust a single fact until it’s been triple-checked, and maybe not even then.
Deaver’s sleight of hand, so effective on the homefront, carries less weight in a world of international counterterrorism in which it’s a given that everybody’s trying to kill or discredit everybody else. It’s still magic, but it’s harder to care when everyone is a magician.Pub Date: June 4, 2013
ISBN: 978-1-4555-1706-0
Page Count: 496
Publisher: Grand Central Publishing
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
Be warned: It's a stay-up-all-night kind of book. Compulsively readable.
Amy Whey’s sins come back to haunt her when she’s extorted for money by a beautiful stranger in Jackson’s (The Almost Sisters, 2017, etc.) first thriller.
It was supposed to be book club as usual: a group of suburban mothers gathering to talk over a glass of wine or two and then going home to bed. But when new neighbor Angelica Roux shows up at hostess Amy’s door, it doesn’t take long for all hell to break loose. The booze flows freely, and soon the women are engaged in a game: What is the worst thing you did today? This week? This month? In your life? There are many women in the gathering with secrets to protect, but none more than Amy, who, as a teenager, committed a terrible crime that almost destroyed her. Saved by her love for diving, and then by meeting her husband and stepdaughter, Amy has worked hard to build a normal, stable life; she even has a new baby. Angelica has come to threaten all of this; she clearly knows about Amy’s past and will expose her to her loved ones if Amy doesn’t pay her. As Amy tries desperately to outscheme Angelica, she also realizes just how much she has to fight for—and what she might be willing to do to keep her family safe and her secrets buried. Jackson’s novel is chock-full of dramatic reveals and twisty turns, but she paces them out well, dropping them like regularly spaced bombshells. Just when the reader thinks they know what might lie at the heart of the novel, the ground shifts seismically, and the truth removes again to a distance. It’s skillfully done. Amy herself is an openly flawed and relatable character fighting to keep sacred the one thing she values most: her normal, loving, messy life.
Be warned: It's a stay-up-all-night kind of book. Compulsively readable.Pub Date: July 30, 2019
ISBN: 978-0-06-285531-2
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Certainly not for all readers, but anyone interested in seeing William Peter Blatty’s infamous The Exorcist (1971) by way of...
The wonder of friendship proves to be stronger than the power of Christ when an ancient demon possesses a teenage girl.
Hendrix was outrageously inventive with his debut novel (Horrorstör, 2014) and continues his winning streak with a nostalgic (if blood-soaked) horror story to warm the hearts of Gen Xers. “The exorcist is dead,” Hendrix writes in the very first line of the novel, as a middle-aged divorcée named Abby Rivers reflects back on the friendship that defined her life. In flashbacks, Abby meets her best friend, Gretchen Lang, at her 10th birthday party in 1982, forever cementing their comradeship. The bulk of the novel is set in 1988, and it’s an unabashed love letter to big hair, heavy metal, and all the pop-culture trappings of the era, complete with chapter titles ripped from songs all the way from “Don’t You Forget About Me” to “And She Was.” Things go sideways when Abby, Gretchen, and two friends venture off to a cabin in the woods (as happens) to experiment with LSD. After Gretchen disappears for a night, she returns a changed girl. Hendrix walks a precipitously fine line in his portrayal, leaving the story open to doubt whether Gretchen is really possessed or has simply fallen prey to the vanities and duplicities that high school sometimes inspires. He also ferociously captures the frustrations of adolescence as Abby seeks adult help in her plight and is relentlessly dismissed by her elders. She finally finds a hero in Brother Lemon, a member of a Christian boy band, the Lemon Brothers Faith and Fitness Show, who agrees to help her. When Abby’s demon finally shows its true colors in the book’s denouement, it’s not only a spectacularly grotesque and profane depiction of exorcism, but counterintuitively a truly inspiring portrayal of the resilience of friendship.
Certainly not for all readers, but anyone interested in seeing William Peter Blatty’s infamous The Exorcist (1971) by way of Heathers shouldn’t miss it.Pub Date: May 17, 2016
ISBN: 978-1-59474-862-2
Page Count: 336
Publisher: Quirk Books
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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