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POSTMORTEM

THE O.J. SIMPSON CASE

A collection of essays on this season's ``trial of the century,'' edited by lawyer Abramson (Politics/Brandeis Univ.; We the Jury, 1994). The topics of these articles (some original, some previously published in Newsweek, the New Republic, and elsewhere) include the influence of race on the jury and public opinion; the disappearance of domestic violence as an issue at trial; the defense lawyers and prosecutors; and cameras in the courtroom. In his essay criticizing the legal journalists who covered the trial like wallpaper, Lincoln Caplan stresses their absence of historical perspective. This collection supports his view; many of the essays add nothing to what any attentive TV viewer would already understand. A few, however, make Postmortem worth a look. The most illuminating chapter is Yale Kamisar's reprise of the long history of calls to get ``tough on crime'' by eviscerating the Bill of Rights and minimizing the role of the jury. Harvey Cox, who calls the Simpson trial ``a nasty parody of multi-culturalism,'' sets the public reaction to the trial in the context of Americans' historically ambivalent attitudes toward the city. Stanley Crouch argues, almost convincingly, that good news can be found in the racial and ethnic variety of the major players on all sides of the drama, including the two teams of black and Jewish attorneys. Andrew Hacker, who has served on several juries, provides a unique and encouraging perspective on that much maligned institution. Scott Turow analyzes the judicial error in admitting evidence clearly obtained in violation of the Fourth Amendment including, ironically, the bloody glove that may have sunk the prosecution. The most provocative essay is by Paul Butler, who maintains that black juries often are right to employ the doctrine of jury nullification—finding a defendant not guilty even though the evidence points to the opposite conclusion—in cases of drug and other nonviolent crimes (though not in a case like this one). A small contribution to understanding an overblown story.

Pub Date: June 19, 1996

ISBN: 0-465-03319-9

Page Count: 288

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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