An engrossing fictional exploration of family, culture, and what it means to belong in both China and America.
Two sisters grow up without meeting and follow different but intersecting paths in 20th-century China and the United States.
In this novel, Meyer (Myths in Stone: Religious Dimensions of Washington, D.C., 2001) traces the temporal and spiritual journeys of the two daughters of an American missionary stationed in China before World War II. Victoria, the older one, is kidnapped as a child by a religious sect that sees her as its future leader. Livia, born after Victoria’s disappearance, endures an internment camp with her parents during the war, then grows up in midcentury America. The narrative moves back and forth between the two sisters as Victoria, now known as Bu’er, learns traditional healing and survives Mao’s ascendancy and the Cultural Revolution in an out-of-the-way village, gradually coming to terms with her role in the religious community. Meanwhile, Livia converts to Roman Catholicism, experiences the 1960s as a college student, pursues a Ph.D., and becomes a scholar of Chinese religion. As relations between China and the United States are restored in the 1970s and ’80s, Livia is able to return to her country of birth and promises her dying mother she will find out what happened to Victoria. The plot, sedate and expansive for most of the book, takes a Robert Ludlum–esque turn as Livia faces challenges from suspicious locals and government officials in her search for Victoria, but it returns to a more contemplative pace in the final chapters. Meyer is clearly knowledgeable about Chinese history and culture (an author’s note explains his personal connections to the country), and the text is full of rich details that enhance the book’s fully realized setting. Memorable secondary characters play key roles in both storylines, each distinctly drawn and thoroughly developed. The occasionally repetitive narrative (for instance, there are multiple conversations about Livia becoming a department chair at a college) could have been more tightly edited. But the tale avoids getting bogged down in philosophical discussions and maintains its momentum as the sisters undergo their separate religious evolutions.
An engrossing fictional exploration of family, culture, and what it means to belong in both China and America.Pub Date: Aug. 1, 2017
ISBN: 978-0-9966864-7-1
Page Count: 365
Publisher: IngramElliott Publishing
Review Posted Online: Jan. 29, 2018
Kirkus Reviews Issue: March 1, 2018
Review Program: Kirkus Indie
If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.
Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.
Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.
Pub Date: Feb. 1, 1990
ISBN: 0141180633
Page Count: 385
Publisher: Little, Brown
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Jan. 15, 1990
PERSPECTIVES
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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