An engrossing fictional exploration of family, culture, and what it means to belong in both China and America.
Two sisters grow up without meeting and follow different but intersecting paths in 20th-century China and the United States.
In this novel, Meyer (Myths in Stone: Religious Dimensions of Washington, D.C., 2001) traces the temporal and spiritual journeys of the two daughters of an American missionary stationed in China before World War II. Victoria, the older one, is kidnapped as a child by a religious sect that sees her as its future leader. Livia, born after Victoria’s disappearance, endures an internment camp with her parents during the war, then grows up in midcentury America. The narrative moves back and forth between the two sisters as Victoria, now known as Bu’er, learns traditional healing and survives Mao’s ascendancy and the Cultural Revolution in an out-of-the-way village, gradually coming to terms with her role in the religious community. Meanwhile, Livia converts to Roman Catholicism, experiences the 1960s as a college student, pursues a Ph.D., and becomes a scholar of Chinese religion. As relations between China and the United States are restored in the 1970s and ’80s, Livia is able to return to her country of birth and promises her dying mother she will find out what happened to Victoria. The plot, sedate and expansive for most of the book, takes a Robert Ludlum–esque turn as Livia faces challenges from suspicious locals and government officials in her search for Victoria, but it returns to a more contemplative pace in the final chapters. Meyer is clearly knowledgeable about Chinese history and culture (an author’s note explains his personal connections to the country), and the text is full of rich details that enhance the book’s fully realized setting. Memorable secondary characters play key roles in both storylines, each distinctly drawn and thoroughly developed. The occasionally repetitive narrative (for instance, there are multiple conversations about Livia becoming a department chair at a college) could have been more tightly edited. But the tale avoids getting bogged down in philosophical discussions and maintains its momentum as the sisters undergo their separate religious evolutions.
An engrossing fictional exploration of family, culture, and what it means to belong in both China and America.Pub Date: Aug. 1, 2017
ISBN: 978-0-9966864-7-1
Page Count: 365
Publisher: IngramElliott Publishing
Review Posted Online: Jan. 29, 2018
Kirkus Reviews Issue: March 1, 2018
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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