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BAD PUBLICITY

Though his tale runs out of steam as completely as the Dukakis campaign toward the end, the delight Frank (The Columnist,...

Just in time for Election Year, a wickedly funny account of the aimless lives of Beltway losers caught up in the events leading up to the 1988 Dukakis-Bush slugfest.

Charlie Dingleman, who still dreams of his six years as a Pennsylvania Congressman, has been put out to pasture at Thingeld, Pine & Sconce. His second wife, Eve DeFole, is a law student obviously on her way up and out. His brainy, prickly junior associate at TP&S, Judith Grust, seems headed in the same direction. And suddenly so does Charlie, his name nosed about for a White House job—until he allows himself an unfortunate glance and an ill-advised jest at a lunch with Judith, who promptly sets out to bury him deep. It won’t do Charlie any good to consult the image consultants at the Big Tooth PR firm, because they’re just as feckless as he is. Account executive Candy Romulade dithers over her “action plan” for Charlie while Rome burns, and her friend Teresa Maracopulous is too completely trapped in a dead-end assistant’s job and a dead-end marriage to a husband who actually loves her to bestir herself to any useful task. Meanwhile, exiled liberal Hank Morriday, Judith’s sometime lover, struggles with his book on welfare reform while he enviously eyes his opposite number, a rising star in the Dukakis campaign. What brings this ship of fools to unforgettable life is Frank’s heartlessly deadpan way of deflating their most cherished desires, from their petty scrabbling for 15 minutes of fame to their hilariously untitillating couplings (as when Judith reflects tolerantly of an unappealing suitor that “she expended fewer calories on him than she would merely climbing onto her exercise machine”).

Though his tale runs out of steam as completely as the Dukakis campaign toward the end, the delight Frank (The Columnist, 2001) takes in skewering his crafty nincompoops is infectious, evergreen.

Pub Date: Jan. 1, 2004

ISBN: 0-7432-4776-0

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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