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THERE IS NO DEATH IN FINDING NEMO

Sometimes-profound tales featuring colorful imagery and accessible characters.

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Seemingly simple lives are full of surprises in Feingold’s collection of short stories.

Music student Dakota, in the opening title story, ignores her sister’s warning about her too-fast relationship. She moves in with Zayden, a real estate developer who certainly seems like an ambitious, responsible older man, after just a few dates. Things change drastically after Dakota unearths what’s hiding in her boyfriend’s home office. Similarly, in “Avram's Miracle,” hopeful new business partners tour the world’s biggest matzah bakery, which is in Cincinnati. They’re gunning for “worldwide matzah domination” but are unexpectedly taken aback by apprentice baker Avram’s invention. This impressive device may be able to feed masses for free, but is that really what these food industrialists want? Many readers will relate to the lives of those in the seven tales herein: an aging man pining for youth in “The Mirror” and a woman long denying her own very real mental condition in“The Loneliest Number.” Still, surreal moments intermittently crop up. In “The Box,” for example, a stranger hands the titular item to art professor Francine, who’s sitting alone at a restaurant. “For happiness,” the nameless woman tells her before quickly departing. The wooden box’s glass top periodically glows with pictures of people with whom Francine has recently conversed, but she’s not immediately clear why it does so. This story, like the others, showcases the effects of unpredictable happenings on everyday lives.

Feingold develops a series of sublime characters in these tales. Irina in “The Loneliest Number,” for instance, regularly sees a therapist but, for at least a couple of years, preferred that her doctor never mention her diagnosed bipolar disorder; Irina is also a classical pianist who sees colors in music and calms herself down by running through names of dead celebrity women who also suffered from bipolar disorder. Religion, especially Judaism, is a common theme that further grounds the stories in real life; in “Rich Girl,” accountant David, for example, belongs to a Jewish family that’s becoming less devout with each passing generation. A few characters pop up in more than one tale, including zany wife and husband Mary and Phil. As a supporting character, Mary offers telephonic advice to one of her sisters while simultaneously dominating an argument with her mostly ineffectual spouse. They lead their own story in the collection’s last and shortest offering, “There Is No Death in Finding Nemo,” which finds them in their weirdest squabble yet. Feingold’s concise prose generates succinct narratives and vivid images; Francine even sees memorable sights on a dating app, such as a “grizzled man in a plaid flannel shirt, sitting on the hood of his red pickup truck, flashing a yellow smile.” Other narrative details are often clever or playful, as when David goes to see his grandfather, who has dementia, in a Boston nursing home; their dialogue is intercut with a movie playing on TV—effectively fostering the impression that Rock Hudson and Doris Day are part of the conversation.

Sometimes-profound tales featuring colorful imagery and accessible characters.

Pub Date: Sept. 3, 2023

ISBN: 9781991581922

Page Count: 124

Publisher: Impspired Press

Review Posted Online: May 10, 2023

Kirkus Reviews Issue: July 15, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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