Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THERE IS NO DEATH IN FINDING NEMO

Sometimes-profound tales featuring colorful imagery and accessible characters.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Seemingly simple lives are full of surprises in Feingold’s collection of short stories.

Music student Dakota, in the opening title story, ignores her sister’s warning about her too-fast relationship. She moves in with Zayden, a real estate developer who certainly seems like an ambitious, responsible older man, after just a few dates. Things change drastically after Dakota unearths what’s hiding in her boyfriend’s home office. Similarly, in “Avram's Miracle,” hopeful new business partners tour the world’s biggest matzah bakery, which is in Cincinnati. They’re gunning for “worldwide matzah domination” but are unexpectedly taken aback by apprentice baker Avram’s invention. This impressive device may be able to feed masses for free, but is that really what these food industrialists want? Many readers will relate to the lives of those in the seven tales herein: an aging man pining for youth in “The Mirror” and a woman long denying her own very real mental condition in“The Loneliest Number.” Still, surreal moments intermittently crop up. In “The Box,” for example, a stranger hands the titular item to art professor Francine, who’s sitting alone at a restaurant. “For happiness,” the nameless woman tells her before quickly departing. The wooden box’s glass top periodically glows with pictures of people with whom Francine has recently conversed, but she’s not immediately clear why it does so. This story, like the others, showcases the effects of unpredictable happenings on everyday lives.

Feingold develops a series of sublime characters in these tales. Irina in “The Loneliest Number,” for instance, regularly sees a therapist but, for at least a couple of years, preferred that her doctor never mention her diagnosed bipolar disorder; Irina is also a classical pianist who sees colors in music and calms herself down by running through names of dead celebrity women who also suffered from bipolar disorder. Religion, especially Judaism, is a common theme that further grounds the stories in real life; in “Rich Girl,” accountant David, for example, belongs to a Jewish family that’s becoming less devout with each passing generation. A few characters pop up in more than one tale, including zany wife and husband Mary and Phil. As a supporting character, Mary offers telephonic advice to one of her sisters while simultaneously dominating an argument with her mostly ineffectual spouse. They lead their own story in the collection’s last and shortest offering, “There Is No Death in Finding Nemo,” which finds them in their weirdest squabble yet. Feingold’s concise prose generates succinct narratives and vivid images; Francine even sees memorable sights on a dating app, such as a “grizzled man in a plaid flannel shirt, sitting on the hood of his red pickup truck, flashing a yellow smile.” Other narrative details are often clever or playful, as when David goes to see his grandfather, who has dementia, in a Boston nursing home; their dialogue is intercut with a movie playing on TV—effectively fostering the impression that Rock Hudson and Doris Day are part of the conversation.

Sometimes-profound tales featuring colorful imagery and accessible characters.

Pub Date: Sept. 3, 2023

ISBN: 9781991581922

Page Count: 124

Publisher: Impspired Press

Review Posted Online: May 10, 2023

Kirkus Reviews Issue: July 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 194


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 194


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

Close Quickview