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THE GENIUS AND THE GODDESS

ARTHUR MILLER AND MARILYN MONROE

Not much new in this rehearsal of one of celebrity’s saddest stories.

A thoroughly researched but ill-balanced retelling of the brief love affair, marriage, creative collaboration, estrangement and divorce of Hollywood’s sexiest star and Broadway’s leading playwright.

Prolific biographer Meyers (Samuel Johnson: The Struggle, 2008, etc.) is particularly well equipped for the task of gleaning something new from this heavily harvested field. However, like many others who have drifted into the gravitational pull of planet Monroe, he can barely force his eyes away from her long enough to give Miller’s story more than a perfunctory summary and analysis. Describing her nude calendar from 1950, for example, he pants about Monroe’s “perfect body,” calling her “a modern Venus” in a torrid paragraph smoking with erotic detail (“Her alluring breasts promise pneumatic bliss, and her pink nipples merge with the red velvet”). Meyers begins his chronicle in 1951 with the initial meeting of his two principals, then retreats into alternating biographies, devoting nearly 80 pages to Monroe’s well-known depressing childhood and youth. Miller’s 36 pre-Monroe years merit only ten pages. The author revisits all of the central Marilyn moments: multiple foster homes, abuse, character flaws (habitual tardiness, deep insecurity), substance issues (alcohol, drugs), serial sexual escapades, notable marriages (to Joe DiMaggio and Miller) and most controversial affairs (JFK, RFK). Meyers dismisses as “wildly implausible” the conspiracy theories about her death and repeatedly assails both her acting coach Paula Strasberg and her final psychiatrist, Dr. Ralph Greenson, who was “more disturbed and dangerous than the patient.” Meyers recognizes that Miller truly loved Monroe but finally ended the marriage when he realized she was destroying him. He’d spent three years working on a film for her (The Misfits), earning only her scorn, and her needs were too complex and her problems too intractable. In the final chapter, Meyers thoughtfully mines Miller’s last plays for nuggets about Monroe.

Not much new in this rehearsal of one of celebrity’s saddest stories.

Pub Date: March 1, 2010

ISBN: 978-0-252-03544-9

Page Count: 384

Publisher: Univ. of Illinois

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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