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THE NINE EMOTIONAL LIVES OF CATS

A JOURNEY INTO THE FELINE HEART

Anyone who has ever been owned by a cat will find these speculations engaging, finely tuned, and always with plenty of fond...

An exploration into the emotional complexity of cats, with lots of literary references but mostly personal observations, from Masson (Why Elephants Weep, 1995, etc.).

What Masson did for dogs in Dogs Never Lie About Love (1997), he does here for cats. As always when considering animal behavior, he admits from the get-go that he’s on sketchy ground, making speculations that are intended as food for thought: “We will probably never know what goes through their minds.” There are times when readers may wonder why he chose these “primary” emotions to investigate—narcissism, love, contentment, attachment, jealousy, fear, anger, curiosity, playfulness, and a dozen subsidiary states—when he is confounded by a few of them: “Are cats narcissistic? No.” Or “Is this jealousy, or is it perhaps some feline rule of etiquette?” But then, much of the time cats are nothing if not inscrutable, as Masson is happy to admit. Their mystery is much of their charm. Yet it’s Masson’s purpose to offer up considerations of cat behavior. Is their attachment a transference—a nostalgia—for the time when they were kittens? And when it comes to attachment, is it more to the world around them than to their human companions? (Masson believes cats are more fully happy when allowed freedom to roam, a point he presents persuasively, unlike many cat enthusiasts.) Much of what the author has to say is common sense: that cats show fear out of threat (but don’t worry; they live in the moment); show contentment from a sense of security (but not happiness: that takes freedom); and can communicate acceptance (purring has been known to lower human blood pressure, perhaps because we have been chosen by one so self-possessed).

Anyone who has ever been owned by a cat will find these speculations engaging, finely tuned, and always with plenty of fond anecdotal evidence as they charge across the species barrier.

Pub Date: Nov. 1, 2002

ISBN: 0-345-44882-0

Page Count: 240

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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