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THE UNWANTED GAZE

THE DESTRUCTINON OF PRIVACY IN AMERICA

Rosen ably navigates these murky waters where sexual-harassment, libel, and invasion of privacy jurisprudence intersect with...

A comprehensive and disturbing assessment of the often well-intentioned legal efforts that have culminated in a multi-pronged assault on civic notions of privacy and discretion—usefully epitomized by the Lewinsky affair.

Rosen (George Washington Univ. Law School/New Republic) deftly examines the daunting web of our wired, voyeuristic culture in developing a well-modulated argument for individual privacy in the public sphere. Much of Rosen’s thesis revolves around such diverse phenomena as sexual-harassment law and the increasingly commonplace workplace monitoring of e-communication. Yet Rosen is also concerned with what he persuasively views as a generalized whittling-down of the sanctity of the citizen’s space and “papers,” noting that protections guaranteed in landmark 18th- and 19th-century decisions have been tarnished by recent, infamous proceedings like the Bob Packwood affair (alongside less notorious but interesting cases). Still, Rosen is not tremendously polemical: his arguments are subtly modulated, combining sophisticated legal discussion with a keen sense of our contemporary scene’s foibles, funny and otherwise (as in Bill Clinton’s ironic support for Susan Molinari’s amendments regarding evidence admission to his 1994 crime bill, which later facilitated the Paula Jones lawsuit). Structurally, Rosen follows a sleek line, with simply titled chapters like “Privacy at Home” and “Privacy at Work” that allows his study to function both as an over-arching narrative of this grandiose erosion of the private society and as a handbook for those concerned enough to contemplate resistance, at least on the personal or community level. Such individuals may be most alarmed by the chapter “Privacy in Cyberspace,” which presents recent controversial cases—such as that of a Harvard Divinity School dean ousted for downloading pornography—and describes how every e-mail is centrally preserved and every online move tracked.

Rosen ably navigates these murky waters where sexual-harassment, libel, and invasion of privacy jurisprudence intersect with the mutated informational boundaries of cyberspace; his debut is a cohesive, attractive, and informative take on a truly unsettling, even grotesque face of contemporary life.

Pub Date: June 1, 2000

ISBN: 0-679-44546-3

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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