by Jeffrey Tayler ‧ RELEASE DATE: Feb. 15, 2005
Moreover, Angry Wind merits a solid audience at the African desks of Western intelligence agencies. There’s trouble brewing...
An often scintillating if sometimes sluggish tour of the western Sahel, that narrow coast of dry land between the Central African rainforest and the oceanic Sahara.
Much of that country is ethnically black but culturally Arab, the product of nothing short of cultural imperialism among the Arabs, slave traders in the not-so-distant past. The Arab conquest of the Sahel is incomplete, writes Tayler (Facing the Congo, 2001, etc.), but ongoing and scarring. Why not, then, call it imperialism? Well, answers Tayler, “calling the presence of Arabs here unjust amounted to attacking Islam and was impermissible; hence the Africans suffered their anti-Arab grievances with downcast eyes.” Indeed, as Tayler travels through Senegal, Mali, Niger, Nigeria, and Chad, the open anger he encounters is almost always directed against America in the abstract (and sometimes against Americans, namely him, in the particular). The Sahelians’ anger is understandable, Tayler suggests. These poor regions have been badly used, left alone to suffer, and allowed to become failed states bound up as nations mostly out of geographic convenience during colonial times; and whereas France and England should properly feel their wrath, what the desert-dwellers see on television is America as anti-Islamic crusader. “To stop one man, Osama,” yells one Sahelian he encounters at a Chadian oasis, “you destroyed an entire country, Afghanistan—a country of the poorest people on earth. Is that manly—picking on those poor Afghans?” No empty rhetoric, that, and the Sahel, writes Tayler, is a fertile recruiting ground for al Qaeda; Osama bin Laden identified Nigeria as particularly ripe, sick as it is politically yet bursting with oil wealth. Not all of Tayler’s set pieces work, and his travelogue is sometimes as wearying to read as it must have been to research. Still, there are some fine moments here, and Tayler’s righteously indignant arguments against female circumcision should be required reading for the cultural-relativist set.
Moreover, Angry Wind merits a solid audience at the African desks of Western intelligence agencies. There’s trouble brewing in the Sahel, Tayler warns: Don’t say no one told you so.Pub Date: Feb. 15, 2005
ISBN: 0-618-33467-X
Page Count: 272
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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