Diverse character studies that give a broad view of the sweeping economic revolutions of the era.
Popular history of the economy of the Civil War era, a transformative time on the commercial/financial as much as the military fronts.
The usual picture of homefront conditions during the Civil War is a grim time of illness, cold, and hunger. From the Southern side, that’s not off the mark, but as Wert (A Glorious Army: Robert E. Lee’s Triumph, 1862-1863, 2011, etc.) records, the Northern economy boomed, the result of decades of investment and industrialization during which the South relied on slave-based agriculture. So it was that “private gunmakers in just one Connecticut county produced more firearms than gunsmiths in the entire slaveholding South,” good cause for William Tecumseh Sherman to warn secessionists that they would be overwhelmed by “one of the most powerful, ingeniously mechanical and determined people on earth.” The economic strength of the North was fueled by inventors, financiers, and industrialists, nearly 20 of whom Wert profiles here. Readers will have heard of many of them, if only because their names endure in companies that have descended from them: John Deere, for instance, whose Illinois blacksmith shop took advantage of immigrant labor and the nearby Mississippi River to mass-produce a plow that, along with Cyrus McCormick’s reaper, enabled large-scale agriculture. Other familiar names carry stories that are sometimes more puzzling than inspirational: Gail Borden, for example, who tried to promote a “meat biscuit” in the place of Army rations but failed abjectly, since it “was simply not palatable,” only to thrive by selling condensed milk to the federal commissary. Wert glances over some key moments: for instance, the abolitionist sympathies of the Californians who would become transcontinental railroad barons, thwarting Jefferson Davis’ push to take that railroad first across the South. Still, he turns up some fine nuggets, such as repeating-rifle inventor Christopher Spencer’s failure to keep his fortune, consoling himself with the deathbed thought that “the best I can say is I don’t think I am leaving any enemies.”
Diverse character studies that give a broad view of the sweeping economic revolutions of the era.Pub Date: Nov. 6, 2018
ISBN: 978-0-306-82512-5
Page Count: 288
Publisher: Da Capo
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
BOOK REVIEW
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