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CIVIL WAR BARONS

THE TYCOONS, ENTREPRENEURS, INVENTORS, AND VISIONARIES WHO FORGED VICTORY AND SHAPED A NATION

Diverse character studies that give a broad view of the sweeping economic revolutions of the era.

Popular history of the economy of the Civil War era, a transformative time on the commercial/financial as much as the military fronts.

The usual picture of homefront conditions during the Civil War is a grim time of illness, cold, and hunger. From the Southern side, that’s not off the mark, but as Wert (A Glorious Army: Robert E. Lee’s Triumph, 1862-1863, 2011, etc.) records, the Northern economy boomed, the result of decades of investment and industrialization during which the South relied on slave-based agriculture. So it was that “private gunmakers in just one Connecticut county produced more firearms than gunsmiths in the entire slaveholding South,” good cause for William Tecumseh Sherman to warn secessionists that they would be overwhelmed by “one of the most powerful, ingeniously mechanical and determined people on earth.” The economic strength of the North was fueled by inventors, financiers, and industrialists, nearly 20 of whom Wert profiles here. Readers will have heard of many of them, if only because their names endure in companies that have descended from them: John Deere, for instance, whose Illinois blacksmith shop took advantage of immigrant labor and the nearby Mississippi River to mass-produce a plow that, along with Cyrus McCormick’s reaper, enabled large-scale agriculture. Other familiar names carry stories that are sometimes more puzzling than inspirational: Gail Borden, for example, who tried to promote a “meat biscuit” in the place of Army rations but failed abjectly, since it “was simply not palatable,” only to thrive by selling condensed milk to the federal commissary. Wert glances over some key moments: for instance, the abolitionist sympathies of the Californians who would become transcontinental railroad barons, thwarting Jefferson Davis’ push to take that railroad first across the South. Still, he turns up some fine nuggets, such as repeating-rifle inventor Christopher Spencer’s failure to keep his fortune, consoling himself with the deathbed thought that “the best I can say is I don’t think I am leaving any enemies.”

Diverse character studies that give a broad view of the sweeping economic revolutions of the era.

Pub Date: Nov. 6, 2018

ISBN: 978-0-306-82512-5

Page Count: 288

Publisher: Da Capo

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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