Far more than just a paint-by-numbers story of a small town.
In Halverson’s debut novel, a mysterious mural appears overnight on the side of a building in an Arizona town, sparking a range of emotions and examinations of life.
How humans spend their brief time on Earth has been the subject of countless tales. Seemingly endless, time is actually limited and precious. That’s the theme of Halverson’s simple mystery story with shades of something much more profound. Tyler Anderson, a reporter for a news site in Phoenix, yearns to write about something other than the minutiae of municipal affairs. His chance comes when his editor sends him to Ketchum, a sleepy former mining town, to write about a large mural by an unknown artist that appeared overnight on the side of a warehouse. Expecting to simply identify the artist and write the story, Anderson finds more than he bargained for. Due to its unique effects on every person who sees it, the mural attracts attention from all over, and it’s now become the heart of a long-simmering rivalry between Mayor George Correa and the warehouse’s owner, Samuel Welch. As Anderson investigates his story, he realizes it’s about more than just identifying the mystery artist; it’s about people’s expectations, how to stop bemoaning fate and how to use precious time wisely. The well-written story starts as a character study of Anderson, veers into an examination of why Samuel insists on painting over the mural, and finally becomes a look at the human soul and how some people are willing to give up their dreams just to get through life. Filled with intriguing characters—fry cook Abdullah Park, waitress Audrey Betz, struggling artist Grady James—the story takes a few unnecessary back-story detours and requires a suspension of disbelief that might be too much for some readers. But Halverson is after a different audience: those who know life must be lived and felt, not just experienced.
Far more than just a paint-by-numbers story of a small town.Pub Date: July 25, 2014
ISBN: 978-0692225868
Page Count: 266
Publisher: Grand Strand Press
Review Posted Online: Oct. 9, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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