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THE ORIGINAL DAUGHTER

A moving debut novel about sisterhood, ambition, and the quest to become one’s true self.

In Singapore in 2015, Genevieve Yang Si Qi’s terminally ill mother has one last request—to see her two daughters together again.

Genevieve—who narrates the story—refuses to reach out to her estranged sister, Arin Yang Yan Mei, feeling that to honor her mother’s request would be to betray herself. With deep and often poetic insight, the novel goes on to chart the sisters' relationship over the past 20 years. Unlike many siblings, Arin arrives fully formed when Genevieve is 8 and she's just a bit younger; it turns out that Genevieve's grandfather, who disappeared years ago and has only just died, had a whole secret family and Arin was his granddaughter. The girls are close as children, with Genevieve playing the protective, comforting older sister as Arin struggles to find a place for herself in the family and the world at large. As their talents and interests diverge, however, the two girls gradually and then more quickly grow apart. As much as Genevieve loves Arin, she begins to wonder if her increasing distance is what fuels her sister’s success as an actor—if her absence from her sister’s life “unclipped her wings” and finally allowed her to thrive. As Genevieve watches the film that promises to be Arin’s breakout role, however, she discovers a betrayal that threatens to undermine the women’s relationship forever. Wei's novel glistens with often profound insights about the complicated relationship between a person's identity and the dynamic forces of family and friendship, with Genevieve remarking at one point: “How vast the legion of unrealized, contradictory, impractical ghosts crammed within each mortal body was.” The first half of the novel is much stronger than the second, in which the plot machinations can feel somewhat forced. Though Genevieve is someone for whom violence “bloomed like desire,” her motives sometimes come across as thinly disguised plot devices more than organic outgrowths of a fully fleshed-out character.

A moving debut novel about sisterhood, ambition, and the quest to become one’s true self.

Pub Date: May 6, 2025

ISBN: 9780385551014

Page Count: 368

Publisher: Doubleday

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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