A moving debut novel about sisterhood, ambition, and the quest to become one’s true self.
In Singapore in 2015, Genevieve Yang Si Qi’s terminally ill mother has one last request—to see her two daughters together again.
Genevieve—who narrates the story—refuses to reach out to her estranged sister, Arin Yang Yan Mei, feeling that to honor her mother’s request would be to betray herself. With deep and often poetic insight, the novel goes on to chart the sisters' relationship over the past 20 years. Unlike many siblings, Arin arrives fully formed when Genevieve is 8 and she's just a bit younger; it turns out that Genevieve's grandfather, who disappeared years ago and has only just died, had a whole secret family and Arin was his granddaughter. The girls are close as children, with Genevieve playing the protective, comforting older sister as Arin struggles to find a place for herself in the family and the world at large. As their talents and interests diverge, however, the two girls gradually and then more quickly grow apart. As much as Genevieve loves Arin, she begins to wonder if her increasing distance is what fuels her sister’s success as an actor—if her absence from her sister’s life “unclipped her wings” and finally allowed her to thrive. As Genevieve watches the film that promises to be Arin’s breakout role, however, she discovers a betrayal that threatens to undermine the women’s relationship forever. Wei's novel glistens with often profound insights about the complicated relationship between a person's identity and the dynamic forces of family and friendship, with Genevieve remarking at one point: “How vast the legion of unrealized, contradictory, impractical ghosts crammed within each mortal body was.” The first half of the novel is much stronger than the second, in which the plot machinations can feel somewhat forced. Though Genevieve is someone for whom violence “bloomed like desire,” her motives sometimes come across as thinly disguised plot devices more than organic outgrowths of a fully fleshed-out character.
A moving debut novel about sisterhood, ambition, and the quest to become one’s true self.Pub Date: May 6, 2025
ISBN: 9780385551014
Page Count: 368
Publisher: Doubleday
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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