Marta’s adventure is an enjoyable way to introduce animals, observe concepts, and identify comparisons and polarities in...
Opposites, animals, and Spanish vocabulary introduce concepts to early readers.
Arena introduces readers to purple-backpack–wearing Marta, an adventurous explorer. As she journeys through a fanciful backyard “jungle,” light-skinned Latina Marta discovers and observes the opposites between herself and the animals she encounters, from size to speed to stealth. “To a horse, Marta is lenta. Slow, very slow.” The page-turn completes the contrast: “To a turtle, Marta is rápida. Fast, very fast.” The Spanish words are printed in orange and a playful typeface, a clever approach to avoid italics, an old-fashioned norm. After a series of polarities that introduce Spanish descriptive vocabulary, the journey reintroduces the animals in Spanish translation and offers gentle contradictions to the earlier assertions. “Marta is loud like el león,” and next to the phrase, there’s a profile of a lion in midroar and Marta with a megaphone. Pura Belpré honoree Dominguez’s green, brown, and tan illustrations capture the movement in each spread: an elephant’s trunk in midswing, a galloping horse with leaves floating behind, a rabbit hopping away from Marta.
Marta’s adventure is an enjoyable way to introduce animals, observe concepts, and identify comparisons and polarities in English and en Español. (glossary) (Picture book. 4-7)Pub Date: Aug. 23, 2016
ISBN: 978-1-62672-243-9
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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