Beagin secures her position as a new writer to watch.


A welcome sequel to one of last year’s most exciting debuts.

The first chapter of Beagin’s second novel is called “Poop.” Readers familiar with Pretend I’m Dead (2018) will not be surprised. Readers approaching Beagin for the first time should consider it an honest advertisement of what’s to come. Mona is a cleaning lady, which is to say that her business is filth. As she did in her debut, Beagin takes advantage of the peculiarly intimate relationship in which we engage when we pay other people to clean up our messes. Mona’s clients include a blind psychotherapist and her husband, who happens to be the man Mona calls Dark, someone she met once and can’t get out of her mind. There’s also a Hungarian couple, for whom she becomes a nude model. Mona’s complicated entanglements with these people are inevitable. She has some serious boundary issues, which we grow to understand in some detail in the chapter called “Mommy.” Mona is a tremendously engaging narrator. She’s sharp but not unkind. By the time this novel begins, she’s turned Fresh Air host Terry Gross into her imaginary sidekick, someone who "interview[s] her about the day-to-day hassles of being a cleaning lady in Taos" and sometimes acts as her "coach, therapist, surrogate parent." This is both funny and poignant—funny because it’s so unlikely, poignant because Mona could use a levelheaded friend. Indeed, Beagin excels at mixing comedy and pathos in a way that dilutes neither. This novel is ultimately a story about the meaning of home. Mona grew up shuttling between her grandparents’ apartment and her stepfather’s place. Neither was a great place for a child. She was institutionalized for a time. And then she was sent to live with a foster mother in Massachusetts. In Pretend I’m Dead, Mona follows a junkie to Taos. Here, she follows an innocuous nice guy to Bakersfield. What she discovers, though, is that the place she truly wants to be is the place she has created for herself.

Beagin secures her position as a new writer to watch.

Pub Date: Feb. 26, 2019

ISBN: 978-1-5011-8214-3

Page Count: 240

Publisher: Scribner

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

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A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...


From the Jack Reacher series , Vol. 6

When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.

Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.

Pub Date: May 1, 2001

ISBN: 0-399-14861-2

Page Count: 384

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2002

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