A lovely novel about love, grief, and connection.
In Michalski’s novel, two women who’ve had relationships with the same man fall in love with each other.
Two very different women, Lacie and Quinn, are, unbeknownst to them, connected to each other by the same man. Lacie has been married to Derek for many years, and his serial infidelity has caused many problems in their marriage. (She doesn’t know all the details of his affairs, or the names of all the women he’s slept with.) After therapy and many rounds of conversation, Lacie has tried to convince herself that she’s happy, or at least happy enough. But now that her two daughters are out of the house, she’s starting to have thoughts about leaving Derek. Quinn is a guitarist who used to perform with a Riot Grrrl band called The Clit Girls (“I don’t really play those songs anymore”). She spent much of that time embroiled in fights with her manipulative girlfriend, who led the band. Quinn met Derek at a music festival, and the two of them had a one-night stand. Quinn got pregnant and gave birth to her beloved daughter, Liv. She never told Derek about Liv, not even when Liv got sick with Batten disease. Quinn finally breaks down and contacts Derek after Liv dies at the age of 9. Derek suffers a stroke and is put into a coma; Lacie and Quinn meet for the first time at the hospital. Lacie has no idea who Quinn is, but Quinn knows exactly who Lacie is. They’re immediately attracted to each other, but can Lacie admit what she’s feeling to herself? And what will happen when Quinn finally reveals what happened between her and Derek? This is a tenderhearted LGBTQ+ narrative that deals with many difficult topics with sensitivity and openness. It also contains a lot of lovely observations about the Riot Grrrl scene, and about what it means to be a queer woman in today’s America. The plot can sometimes veer toward the melodramatic, and the language is a bit stilted in places, but readers will get a lot out of this touching story.
A lovely novel about love, grief, and connection.Pub Date: June 3, 2025
ISBN: 9781684426096
Page Count: 288
Publisher: Keylight Books
Review Posted Online: Dec. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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