A flawed but vibrant and juicy book, good conversation fodder for the politically inclined.
On the Harvard campus in 1969 and the Paris streets in 2018, parallel protagonists become enmeshed in radical politics and romance.
Playwright Silverman’s sophomore novel starts off strong, pursuing two storylines that will of course eventually converge. The earlier of the two, at Harvard, involves an organic chemistry graduate student named Keen who rescues a fleeing protestor from the police, then falls fast and hard for her and her world, though he works in the laboratory of a man Olya and her friends consider a war criminal. The 50-years-later plot revolves around Minnow, 38, an American woman living in France. Devastated after getting caught up in a scandal involving a student’s abortion at the school where she taught, she escapes to Paris, where she, too, connects with a protester on the street, 23-year-old Charles. The rebellious scion of a wealthy man connected to President Emmanuel Macron, Charles is part of the gilet jaune (yellow vest) movement. In both cases, the political conversion experience involves hot sex and stirring scenes of activism (Keen at the Dow Chemical protest is wonderful), but eventually things go horribly wrong. Oddly, this book seems to be in sympathy with the attitudes and frustrations of the movements depicted, but the twin disasters are awful enough to scare an impressionable reader off radicalism altogether, especially because the upshot seems to be that political action can ruin people without changing the world at all. Young Charles says as much: “I think it must be a slow poison to come up against the limitations of justice again and again. The more you see, the more poison accumulates. But what changes in the end is you, not the systems, not the structures. Just you.” (People make a lot of speeches to each other in this book.) In the end, the idea that one generation repeats the mistakes of the last is dramatized a bit too faithfully, and the ending leaves some big questions unanswered.
A flawed but vibrant and juicy book, good conversation fodder for the politically inclined.Pub Date: April 9, 2024
ISBN: 9780593448359
Page Count: 320
Publisher: Random House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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