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A COVERT AFFAIR

THE ADVENTURES OF JULIA CHILD AND PAUL CHILD IN THE OSS

Thoroughly researched, fluid and compelling.

The author of three previous accounts of World War II espionage (The Irregulars: Roald Dahl and the British Spy Ring in Wartime Washington, 2008, etc.) returns with the story of the Childs and their associates during their turbulent, eventful years with the Office of Strategic Services.

Although her title identifies the Childs as her focus, Conant devotes even more attention to the puzzling case of Jane Foster, friend of the Childs and fellow OSS operative later indicted as a Soviet spy. It’s hard not to notice Foster—wealthy, attractive, flighty, loquacious, and “impossible to resist.” The author is certainly interested in Paul and Julia Child—their backgrounds, protracted courtship, wartime activities, postwar lives and Julia’s emergence as a celebrity author and TV personality. But Conant continually returns to the charisma and conundrums of Foster. Was she just irresponsible? Capricious? Careless? Or was she truly ensnared in a vast web of deceit spun by the KGB? The author concludes that Foster was either strikingly dense or actually culpable—near the end she calls her a liar and a “snob to the core.” Conant begins her tale in 1955 when Paul Child, called to Washington for what he thought was a promotion in the United States Information Service, discovered, instead, that he must undergo hours of interrogation. The government was seeking out crypto-Commies—was Paul one? His wife? And what about Jane Foster? Conant then sweeps back into the chaotic days of Wild Bill Donovan and the creation of the OSS, its recruitment of the principals, their activities during the war and their subsequent lives, loves and enterprises. Conant reveals both indignity at the excesses of McCarthyism and disgust with those who committed betrayal.

Thoroughly researched, fluid and compelling.

Pub Date: April 5, 2011

ISBN: 978-1-4391-6352-8

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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