An enjoyable search-for-identity tale with a strong female protagonist.
Based on a true story, a historical novel focuses on an unconventional young woman who introduces the game of twenty-one to mid-19th-century San Francisco during the California Gold Rush.
Simone Jules, not yet 20 years old, arrives in San Francisco in 1849, having journeyed for six months by sea from New Orleans, or, as she refers to America’s fourth largest city at the time, “La Nouvelle-Orléans.” Her departure from home was precipitous, a decision made after a tragedy took the lives of her family. In the throes of grief, Simone packed her bags and boarded the first ship available, determined to begin a new life. Left behind, without a word of explanation, is her fiance, David Tobin. She takes up residence at the Bella Union Hotel and negotiates with the owner, Monsieur Sullivan, to pay for her $2,000 per month room by working the card tables in the establishment’s gambling parlor. Sullivan assumes he will throw her out after the first night—women are employed only as bar or dance girls at the parlor. But Simone soon becomes a sensation at the Bella Union, teaching the rowdy gold miners twenty-one and becoming America’s first female croupier. Fluent in French, she discovers that sprinkling in a few words of the exotic language and adding a coquettish smile as she deals the cards quickly charms the men out of their newfound fortunes. It is the beginning of a unique Western adventure, with an indomitable female protagonist who repeatedly finds herself rising out of the ashes to forge a new identity. Although Walsh is working with scant available details about the real-life Simone Jules (aka Eleanor Dumont and Madame Moustache), she has wrapped an intriguing fictional melodrama around an assortment of historical events and personages, bending timelines and creating relationships to suit the arc of her lively narrative. The author effectively captures the excitement of a burgeoning San Francisco increasingly flooded with America’s new westward migration. Walsh also offers readers several engaging secondary characters. And through Simone’s later experiences as a supply-line muleteer to the mining settlements, the author vividly depicts the dangerously harsh conditions endured by the hopeful miners.
An enjoyable search-for-identity tale with a strong female protagonist.Pub Date: June 1, 2021
ISBN: 978-1-948018-95-1
Page Count: 318
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: Dec. 28, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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