by Jennie Rooney ‧ RELEASE DATE: July 1, 2014
This spy novel reveals itself at a calm pace through the memories of a loving woman. It is elegantly written and probes the...
A World War II spy novel that delves into the complex reasons for betrayals of both country and friends.
In 2005, an old English woman is being interrogated about her past when it's suspected that she was a traitor to her country. The questions lead her to relive her life and her loves and the complex reasons for her actions. In the 1940s, the U.S., Canada and Britain are collaborating on the secret physics of the atom bomb. Joan Stanley is a student at Cambridge University, “educated in the religion of reason,” and attends meetings in support of the Soviet Union and the bright promise of a collective society. Sonya, a fellow student with panache and an eye for men, takes Joan under her wing, introducing her to her cousin Leo, a proponent of the Russian cause. Handsome, erudite Leo pursues Joan, romantically as well as ideologically. Because of her education in science, Joan is hired as a personal assistant at the laboratory in charge of the U.K. portion of the nuclear project. Leo asks her to smuggle secrets out for the Soviet government. The argument is for parity, deterrence. If Soviet Russia also has nuclear capability, the Allies would never use their own. But Joan is steadfast in her loyalty to her country, and she's convinced that the threat of mass destruction is enough to end the war. Hiroshima changes everything for her and the world. Rooney elegantly presents a woman who was living a “calm and contented existence” when MI5 came knocking on her door. She has been found out after so many years, and the turmoil begins again in her life. Rooney has created a wonderful narrative structure in which the old woman’s memory is triggered by the interrogation; as Joan lives the past for us, she reveals most, but not all, to her questioners.
This spy novel reveals itself at a calm pace through the memories of a loving woman. It is elegantly written and probes the value of loyalty to a meaningful life.Pub Date: July 1, 2014
ISBN: 978-1-60945-204-9
Page Count: 400
Publisher: Europa Editions
Review Posted Online: June 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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