The magical quality of the photographic illustrations and the enchanting eggs give this Easter-themed story extra appeal.
A rabbit named Fern solves a mystery as she follows clues in the shape of decorated eggs painted with the faces of her farm-animal friends.
A dramatic cover photograph of a huge rabbit in a basket of intricately decorated Easter eggs draws readers into this story, the fifth in the Sweet Pea & Friends series. The story is illustrated with photographs of the animals that live on the author-photographer team’s farm in Vermont, with a large cast of characters who have appeared in previous books in the series. The production values of these digitally composed photographic illustrations are outstanding, with an oversized format, high-quality paper, and brilliant colors that showcase the beautifully painted eggs hidden throughout. Many of the eggs are painted in Ukrainian folk-art style, with one large egg on each spread decorated with an animal character’s face, predicting the appearance of that animal on the next spread. The actual story is a little too wordy for the intended audience, with a rather confusing total of 17 named characters to keep straight as the simple mystery of who planted the eggs unfolds. The solution to the mystery of the face-bedecked eggs is, of course, revealed with the appearance of the Easter Bunny, who has been glimpsed throughout the previous illustrations. A concluding note provides more information about the farm animals and the artist who painted the eggs.
The magical quality of the photographic illustrations and the enchanting eggs give this Easter-themed story extra appeal. (Picture book. 3-7)Pub Date: Feb. 12, 2019
ISBN: 978-0-316-41166-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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