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A MOON IN ALL THINGS

Atmospheric and beguiling.

Old traditions and folk stories are not just tall tales in Comeau’s historical fantasy novel.

It’s the 1820s, and 16-year-old Morrigan Lane is living with her family in a small village in Ireland. With so many in her town heavily relying on fishing as both a food and income source, Morrigan dreams of sailing the sea and taking up the trade, but it’s not something women are allowed to do. While taking one of her frequent walks along the coast, Morrigan is struck by a vision of a man in a chariot with a sword at his side, calling out to her from the sea. The villagers whisper that she has seen Manannán mac Lair, Guardian of the Otherworld, one of the creatures from myths and folktales told years ago. Morrigan’s father thinks she may have “the sight,” as it runs in their family, but this will not help her in a world where women are only meant to be good Catholics and quiet wives. Worried about her future prospects and not wanting to stifle her, Morrigan’s mother sends her daughter to study with The Crooked Woman, Cathleen, who is the town go-to for remedies, medicines, and midwifery. It’s Cathleen who believes and calms Morrigan when a wolf comes and speaks to her, calling her An Fhoínse (a “spring from which the life force flows”). The Otherworld knows of Morrigan’s empathy and feeling for nature and her reverence for life, and it needs her help to flourish—but hiding her visions and calling from the Church and her frightening schoolmaster, Winnett, will be a difficult task. In this fantasy novel, Comeau uses the Irish setting—which always feels a little magical on its own—and tales of the Otherworld and Tuatha dé Danann to craft an ethereal, fablelike narrative. Morrigan, as well as her friends, family, and fellow villagers, come alive on the page, fitting perfectly into the picturesque village, a bulwark against the giant, tumultuous world around them—and the creatures that inhabit it. Morrigan’s frustration with the imposed limits on her gender adds a fascinating dimension to the spooky tale.

Atmospheric and beguiling.

Pub Date: April 22, 2025

ISBN: 9781961905450

Page Count: 358

Publisher: 12 Willows Press

Review Posted Online: Jan. 27, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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