Another smart and savvy book to add to Smith’s oeuvre.

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HELLO, GOODBYE, AND EVERYTHING IN BETWEEN

Tomorrow Clare and Aidan head to colleges at opposite ends of the country, leaving just 12 hours to decide whether to break up now or, as they fear, to allow distance and change to do it for them—either way, it’s going to be a long night.

Clare, one of nature’s planners, has crafted an agenda for this last night, a sentimental road trip through their past. Easygoing Aidan favors a spontaneous “let’s not overthink this” approach but, as usual, cheerfully accommodates her. As the hours pass, each goes through multiple changes alone, together, and with friends and family. Friendships come unglued, secrets are revealed, and the unexpected occurs. A party, jail, and an icy nighttime swim find their ways onto the itinerary. For Clare and Aidan it’s a literally bruising experience. While theirs is a niche slot in the greater social strata (white, middle-class, small-town teens unburdened by catastrophe or major social ills), the challenges they grapple with are universal: adapting to change, choosing what to keep and what to let go, and taking responsibility for the outcome. Testing the limits and durability of youthful romance across separation and distance is a common theme in Smith’s work, which relies on high-concept storytelling; what keeps it fresh and on the literary side of the genre are engaging, closely observed characters, Clare and Aidan among them, portrayed with such intimate, intense authenticity that readers too feel invested in their choices.

Another smart and savvy book to add to Smith’s oeuvre. (Fiction. 12-18)

Pub Date: Sept. 1, 2015

ISBN: 978-0-316-33442-6

Page Count: 256

Publisher: Poppy/Little, Brown

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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