Original worldbuilding suffers against a cartoonish villain and a plot that must continue straining to support its own...

KILL THE QUEEN

From the Crown of Shards series , Vol. 1

Fantasist Estep (Venom in the Veins, 2018, etc.) debuts a new series with a tale of a young noblewoman’s coming-of-age against a backdrop of assassination, magic, and fate.

Seventeenth in line for the throne, the orphaned Everleigh (or Evie) is a footnote at Queen Cordelia's magic-filled court. She has learned to avoid the political infighting by being accommodating and unnoticed—which is made easier by her apparent powerlessness, as her magic is only a heightened sense of smell. Evie is thrust into any dull but royal task, such as baking an ambassador's ceremonial dessert or learning a formal dance of friendship. Of course, as Evie is a protagonist, such skills will turn out to be useful after all (in increasingly contrived fashion), and Evie will be revealed as magically powerful. Vasilia, Cordelia's heir, assassinates not merely her mother, but the entire royal family, in fine villainous overkill. Evie survives thanks to a secret immunity to magic, and within 24 hours has managed to find shelter with the country's most prestigious gladiator troupe, where she apparently learns to fight (never mind she managed to kill four trained guards during the original massacre and has killed before), stand up for herself, and make friends. Most of Evie's troubles are self-created, as the plot demands that she foolishly keep lying to her friends about her identity. Truth does finally come out, just before Evie's ability to dance improbably saves everyone's lives. After that, it's no great stretch to think that Villainous Vasilia is hubristic enough to allow a troupe of fully armed gladiators into her presence, allowing Evie to achieve her destiny (handily foretold in one of those children's-rhymes-that's-really-a-prophecy).

Original worldbuilding suffers against a cartoonish villain and a plot that must continue straining to support its own premises.

Pub Date: Oct. 2, 2018

ISBN: 978-0-06-279761-2

Page Count: 480

Publisher: Harper Voyager

Review Posted Online: Aug. 21, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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