by Jennifer Grant ; illustrated by Julianna Swaney ‧ RELEASE DATE: Feb. 10, 2026
Classy color practice from the natural world, with divine consideration.
A rainbow of wildflowers thrives.
In a pastoral scene, different types of flora attract insects and birds. From white Queen Anne’s lace and red poppies to pink primroses and black swallowtail butterflies, this field is awash in life. After highlighting various colors, Grant concludes by singing wildflowers’ praises; their beauty is striking if often fleeting, and they flourish despite the lack of human care. Indeed, they are “just where they / are supposed to be,” made specially by God—and, the author adds, “it’s the same with you / and me.” Though inspired by biblical verses, the text is general enough that readers might be able to find connections to major religions other than Christianity. On most pages, the color word is in a larger, brighter font, and the illustrations depict animals of similar or complementary shades. The first few pages read well, but the text loses anything resembling a meter about halfway through, and the rhyme scheme crumbles before the ending. In contrast, Swaney’s art is consistently elegant: simple and focused as flowers rise from the bottoms of pages, but also intentional and lovely, with layouts that invite prolonged contemplation. Any two-page spread could be hung in its own frame.
Classy color practice from the natural world, with divine consideration. (Picture book. 4-7)Pub Date: Feb. 10, 2026
ISBN: 9780802855633
Page Count: 32
Publisher: Eerdmans
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: May 16, 2023
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Drew Daywalt ; illustrated by Kevin Cornell
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SEEN & HEARD
SEEN & HEARD
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