A child learns to create a little private space to find peace and recenter in order to once again share with others.
Sometimes even a loving home can feel a little too loud or crowded. Whether it’s a younger sibling playing the piano or grandma slurping, at times it’s too noisy for the bespectacled protagonist, who wears a high bun. Smells and lights on the bus and at school can also overwhelm, and sometimes the inexplicable can be too much. So one day, the narrator climbs to the top of a kid-filled jungle gym to grab some space. Olson as both author and artist plays with the homonym, as the child literally and figuratively grabs for space and captures some universe in a bottle. Wanting even more, the kid grabs jars and bucketfuls until the cosmos is all around. Finally able to meditate, rest, and dream, the child is then able to rejoin the multigenerational family—and still keep a bit of private space, shown in the replacement of each family member’s hair with a starry infinitude. While the characters are drawn in a simplified style, inventive compositions will transport readers into the thoughts and emotions of the protagonist. Both text and art show familiar experiences, but Olson also leaves them open to interpretation, showing people can interact with the world in different ways. The family is interracial, with Asian-presenting mom and grandparents and white-presenting dad.
Ripe for discussion. (Picture book. 6-8)Pub Date: July 28, 2020
ISBN: 978-1-250-20626-8
Page Count: 40
Publisher: Roaring Brook
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
Categories: CHILDREN'S SOCIAL THEMES
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Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A monohued tally of positive character traits.
Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)
The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)Pub Date: June 2, 2020
ISBN: 978-0-593-12196-2
Page Count: 40
Publisher: Random House
Review Posted Online: June 3, 2020
Kirkus Reviews Issue: June 15, 2020
Categories: CHILDREN'S SOCIAL THEMES
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SEEN & HEARD
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