Despite its flaws, Haigh’s novel will provide plenty of discussion fodder for reading groups.
Having addressed fracking in Heat and Light (2016), Haigh now tackles abortion in a polemical novel that revolves around a Boston women’s clinic.
Divorced and childless, 43-year-old Claudia is an abortion counselor at Mercy Street, a clinic in a gentrified area of Boston once known as the Combat Zone. As the daughter of an impoverished single teenage mother, she well understands “the stark daily realities that made motherhood impossible” for many of her clients. After nine years, Claudia is a pro at taking care of the patients while ignoring the protestors who gather outside the clinic every morning. Still, the stresses of the job get to her (the women with late-term pregnancies “cracked her open”), so periodically Claudia seeks relief from her pot dealer, Timmy. Also dropping in to make a buy is Anthony, a lonely incel living off disability insurance in his mother’s basement. Anthony spends his days attending Mass, protesting at Mercy Street, and emailing photos of women going into the clinic to an anti-abortion crusader with the screen name of Excelsior11, who's actually a Vietnam vet and former long-haul trucker named Victor Prine. During the winter of 2015, these four characters, whose social isolation keeps them as frozen as Boston’s stormy weather, will find their lives intersecting and transformed, not always for the better. Haigh excels at depicting people beaten down by life, but it’s hard to feel much sympathy for her drearily drawn male protagonists, who are less nuanced individuals than indistinguishable stereotypes. With the anti-abortion movement gathering steam in the legislative arena, her portrait feels dated.
Despite its flaws, Haigh’s novel will provide plenty of discussion fodder for reading groups.Pub Date: Feb. 1, 2022
ISBN: 978-0-06-176330-4
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
A stunning feat of storytelling and moral clarity.
An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.
As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.
A stunning feat of storytelling and moral clarity.Pub Date: Nov. 30, 2021
ISBN: 978-0-8021-5874-1
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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