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MARY AND LOU AND RHODA AND TED

AND ALL THE BRILLIANT MINDS WHO MADE THE MARY TYLER MOORE SHOW A CLASSIC

For any fan of the show or TV history in general, this book is pure pleasure.

The juicy, entertaining and informative behind-the-scenes story of a great American sitcom that left a lasting influence on popular TV.

In this delicious history of The Mary Tyler Moore Show, former Entertainment Weekly writer Armstrong (Why? Because We Still Like You: An Oral History of the Mickey Mouse Club, 2010) seems to have had the cooperation of just about everyone involved in the show’s making, and the results are riveting. Starting at the very beginning, she shows how this particular phenomenon was the result of a lot of elements coming together at the same time: a popular star, a creative team with a then-daring idea of a show about an independent woman, and, contrary to the fears of network bosses, a receptive viewership. Armstrong traces the evolution of the show, properly focusing on the creative team of James L. Brooks and Allan Burns, who knew exactly the character they wanted, what kind of comic tone they wanted to set, and were smart enough to hire great women writers who used their own lives and experiences to shape the world of Mary Richards and Rhoda Morganstern. Armstrong reveals how much of the show’s success had to do with unpredictable factors—e.g., a casting agent who happened to see Valerie Harper on stage and suddenly thought, “That’s our Rhoda." The author also gives great inside detail on all the major players in front of the camera, from the insecurities of actor Ted Knight, to the friction between Gavin MacLeod and Cloris Leachman, to a married and somewhat conservative star who wasn’t all that inclined to consider herself liberated.

For any fan of the show or TV history in general, this book is pure pleasure.

Pub Date: May 7, 2013

ISBN: 978-1-4516-5920-7

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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