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MOONLIGHT SCANDALS

A sexy read that doesn’t quite reach its potential.

Relationship-shy Rosie Herpin becomes embroiled with Devlin de Vincent despite her best intentions, helping him unravel family secrets and open up his emotions.

Despite the fact that one of her best friends is involved with a notoriously wealthy and scandalous de Vincent, Rosie has not yet met one, though she’s always been intrigued. Fascinated by the supernatural, she’d love to step foot on their haunted estate, and she’s secretly attracted to the eldest son, Devlin, thanks to all the local and national news and magazine photographs she sees. Dubbed The Devil, “the man was stunning, yet there was something cold about him, almost detached and a bit cruel about how he was pieced together.” When she first meets him, she thinks they share a moment, but when they’re thrown together again soon after, not only does he not remember her, but he insults her home and her interest in the paranormal. Still, as their paths continue to cross, their blistering physical attraction and banter-as-foreplay become too hard to ignore. Giving in to sexual attraction raises their intimacy, and soon Devlin realizes that Rosie’s ability to stand up to him may also mean she’s willing to stand by his side as he uncovers dangerous secrets and must be honest with his brothers about his family’s past. Armentrout (Moonlight Seduction, 2018, etc.) writes a good story, and you can depend on her sexy romances to sizzle with wit and tension. However, beyond the romance, the suspense and gothic factors are clunky. The villain is nearly comic-book nefarious; interesting hints of the paranormal kind of disappear without fulfilling their promise; and one big reveal feels obvious while the other feels far-fetched. Also, a string of grammatical errors detracts from the overall quality of the writing.

A sexy read that doesn’t quite reach its potential.

Pub Date: Jan. 29, 2019

ISBN: 978-0-06-267457-9

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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