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PARIS IN MIND

Not that Paris needs more lovers, but it’s good to know that she still overwhelms all, even the comics.

A host of literate Americans, from Ben Franklin to Dave Barry, go mostly gaga over Paris.

There’s a name for the spirit of this uneven collection—topophilia, love of place. These pieces are old familiars, but for many, their shopworn quality has burnished their power rather than dimmed it. A.J. Liebling took a date to Montparnasse, which, “although not a long walk from the Quarter, had all the attributes of a foreign country,” while David Sedaris seemed rarely to leave the movie house: “Aside from the occasional trip to the flea market, my knowledge of Paris is limited to what I learned in Gigi.” Much humor follows: Art Buchwald, Mark Twain, Dave Barry, who has a delightfully goofy conversation with a waiter, in French (“Good day. I suspect you are an American.” “But I am not wearing the sneakers!” “OK, Mr. Smarty Pants, pronounce the word ‘Rouen’ ”) and rubs shoulders with T.S. Eliot, who appears to have sat on a broomstick when he got to the city: “The right way is to take it as a place and a tradition, rather than as a congeries of people who are mostly futile and timewasting.” Thomas Jefferson figured that “had there been no queen, there would have been no revolution,” and Saul Bellow understood that even “God would be perfectly happy in France. . . . Surrounded by unbelievers, He, too, could relax toward evening, just as thousands of Parisians do in their favorite cafes.” Absurdly, food gets short shrift: even with such treasures to choose from, Lee has selected forgettable material and squandered her M.F.K. Fisher opportunity on something that can seem only, if graciously, understandable as some insider’s joke.

Not that Paris needs more lovers, but it’s good to know that she still overwhelms all, even the comics.

Pub Date: Aug. 4, 2003

ISBN: 1-4000-3102-8

Page Count: 288

Publisher: Vintage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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