Designed to empower, the novel occasionally fails to consider that changing a culture of misogyny requires educating and...
Fed up by her high school’s culture of misogyny, Vivian leads a feminist rebellion.
Staff at Vivian’s school conveniently overlook the demeaning remarks football players and their friends direct at girls, the ongoing hallway sexual harassment of “bump ’n’ grab,” and the annual tournament to identify the “most fuckable” girl on campus. Enraged by the toxic environment, and inspired by 1990s Riot Grrrl culture, Vivian creates an anonymous zine—Moxie—to empower girls. Some of Vivian’s protest ideas are inspired, as when girls wear bathrobes to protest the unfair enforcement of the school’s dress code. Soon Moxie supports such additional projects as girls’ soccer fundraisers, successfully strengthening the school’s sisterhood. But there are troubling moments when Vivian excludes willing male participants, seemingly suggesting that achieving female empowerment requires gender separation. And Moxie moves dangerously toward vigilante justice when it’s used to accuse a student of attempted rape. Vivian’s incensed reaction when her boyfriend suggests the anonymous accuser might be lying ignores the American judicial system’s core tenet of due process. Further, the novel fails to educate readers that qualified police investigators, not school officials, must be alerted in accusations of criminal behaviors.
Designed to empower, the novel occasionally fails to consider that changing a culture of misogyny requires educating and embracing support from members of all genders. (Fiction. 12-18)Pub Date: Sept. 19, 2017
ISBN: 978-1-62672-635-2
Page Count: 336
Publisher: Roaring Brook Press
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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