A beautiful portrayal of a Cuban American family during a crossroads summer.

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THE LIARS OF MARIPOSA ISLAND

A moving historical novel about Texan siblings Elena and Joaquin Finney and their alcoholic, controlling mother, Caridad.

It’s 1986, and Elena is excited about the summer, the only time of the year her mother allows her some degree of freedom, as she gets to babysit for the holidaying Callahans. It’s the summer after high school graduation for Joaquin, and his future is wide open if only he can find the courage to leave Mariposa Island—and his family—behind. The narrative alternates between Elena and Joaquin in 1986 with flashbacks to Caridad’s past as the daughter of wealthy white Cubans living through the Cuban revolution and, later, life as a lonely teen refugee in Texas. Having lost her family, her language, and her history, Caridad struggled to adapt to a new life with a working-class foster family. Meanwhile, in 1986, Joaquin and Elena find different strategies to survive in a household of fear and manipulation. The daughter of a Cuban refugee, Mathieu (Moxie, 2017, etc.) empathetically delves into thorny questions of identity, trauma, abuse, choices, family bonds, and the lengths people will go to keep a measure of control in their lives. With a touch of romance, this gentle, multilayered novel comes with a dash of the unexpected thanks to the deeply unreliable nature of its narrators.

A beautiful portrayal of a Cuban American family during a crossroads summer. (author’s note) (Historical fiction. 14-adult)

Pub Date: Sept. 17, 2019

ISBN: 978-1-62672-633-8

Page Count: 352

Publisher: Roaring Brook

Review Posted Online: June 18, 2019

Kirkus Reviews Issue: July 15, 2019

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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